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The Zanzibar Chest

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A deeply affecting memoir of a childhood in Africa and the continent's horrendous wars, which Hartley witnessed at first hand as a journalist in the 1990s. Shortlisted for the prestigious Samuel Johnson Prize for Non-fiction, this is a masterpiece of autobiographical journalism. Aidan Hartley,a foreign correspondent, burned-out from the horror of covering the terrifying micro wars of the nineties, from Rwanda to Bosnia, seeks solace and solitude in the remote mountains and deserts of southern Arabia and the Yemen, following his father's death. While there, he finds himself on the trail of the tragic story of an old friend of his father's, who fell in love and was murdered in southern Arabia fifty years ago. As the terrible events of the past unfold, Hartley finds his own kind of deliverance. The Zanzibar Chest is a powerful story about a man witnessing and confronting extreme violence and being broken down by it, and of a son trying to come to terms with the death of a father whom he also saw as his best friend. It charts not only a love affair between two people, but also the British love affair with Arabia and the vast emptinesses of the desert, which become a fitting metaphor for the emotional and spiritual condition in which Hartley finds himself.
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About the Author

Aidan Hartley was born in 1965 and raised in East Africa. He read English at Balliol College, Oxford, and later politics at London University. He joined Reuters as a foreign correspondent and has worked in Africa, the Balkans, the Middle East and Russia. In 1996 he began travelling and writing on his own.


'A powerful blend of family history and war correspondent's memoir...searing, deeply instructive.' Anthony Daniels, Sunday Telegraph'A truly impressive and haunting book, an impassioned and often beautifully written account of one man's journey to the heart of darkness, and his slow, painful voyage back.' Harry Ritchie, Daily Mail'Underpinning the grisly details of wars in Somalia, Ethiopia, Rwanda and Burundi that Hartley experienced first-hand and at no small emotional cost to himself, is a touching story of his childhood in colonial Africa.' Iain Finlayson, The Times'Wonderful and everywhere remarkable...Hartley writes with love and an astonishing zest.' Allan Massie, Daily Telegraph'The Zanzibar Chest is a necessary will struggle to find a more authentic, urgent or brilliant account of the underbelly of contemporary Africa...this book seems destined to become a classic.' Christopher Ross, Sunday Express'A masterpiece. This is a hugely ambitious book.' Matthew Leeming, Spectator'No other African correspondent has been so successful in blending both hard reporting and laddish on-the-road antics within a personal and lyrical framework. Hartley evokes the excitement and pathos of the modern continent ... he is perhaps the best mzungu writing about the real Africa today.' Andrew Lycett, Sunday Times'Hartley always writes beautifully...gripping and intensely moving.' James Astill, Guardian'A lyrical, passionate memoir of this dark continent. On the surface, Hartley's book professes to explore why his father and so many other Englishmen of his generation turned time and time again to Africa. Its real aim is far more ambitious: to explore the motives of many generations of white people -- good and bad, but mostly confused -- who have washed up on Africa's wilder shores of love. His judgement of the foreign politicians who have involved themselves in the continent is tough without being hysterical. And he has a sure pen for character... he writes best about the dichotemies within himself -- his ache for Africa, his rage at its horrors, his longing for peace' The Economist'Aidan Hartley's heartbreaking love affair with Africa shines through in this stunning memoir...the result is a breathtaking work, an epic part-autobiography, part-biography. As he unravels Davey's story, Hartley turns out passages of aching beauty which will invite comparisons with that other desert love story, Michael Ondaatje's The English Patient. Hartley's engagement with his central character is so rich in detail and affection that the pages slip by far too fast.' The Scotsman

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