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Over eighty years since Winnie-the-Pooh first delighted readers, David Benedictus takes us back to the Hundred Acre Wood for more adventures. "Return to the Hundred Acre Wood" allows readers to spend a few more treasured hours with the Best Bear in All the World. The authorized sequel to A. A. Milne's original "Winnie-the-Pooh" stories, by David Benedictus, Illustrated by Mark Burgess in the style of the original E. H. Shepard illustrations.
Writer David Benedictus adapted and produced the audio adaptations of 'Winnie-the-Pooh' starring Dame Judi Dench, Stephen Fry and Jane Horrocks. He has worked as assistant to Trevor Nunn at the RSC, was Commissioning Editor for Drama series at Channel 4, and ran 'The Book At Bedtime' for BBC Radio. He is the author of 'Return to the Hundred Acre Wood' the authorised follow-up to 'The House at Pooh Corner' by A. A. Milne.
Gr 1-4-Eighty years after the publication of the original "Winnie the Pooh" stories, this authorized sequel returns readers to the familiar characters and locales. Christopher Robin, on holiday from school, rejoins Pooh, timid Piglet, bouncy Tigger, patient Kanga, and his other friends for a summer full of adventure. In 10 stories, the friends put on a spelling bee, conduct a census, search for disappearing bees, start a school, and host a harvest festival. During a drought, they also meet a new resident of the forest, Lottie, an otter who is both forgetful and obsessed with etiquette. Another chapter, which describes a cricket match, may be more challenging for American readers. Fans of Pooh will recognize many elements: Pooh's hums, the animals' creative spelling, Piglet's fear of Heffalumps, and the maps on the endpapers. What's different is Christopher Robin; a year older, he seems less innocent, more in the role of an older sibling than a playmate. In addition, most members of the large cast of characters appear in each chapter, which feels a bit overwhelming. The writing is warm and humorous, though it doesn't quite match the charm and whimsy of the originals. Burgess's watercolor illustrations, on the other hand, are quite reminiscent of Shepard's. Pooh purists may find fault, but the book will likely be popular with many young readers and their parents.-Jackie Partch, Multnomah County Library, Portland, OR Copyright 2010 Reed Business Information.
Christopher Robin returns from boarding school (80 years later) in this authorized but largely forgettable third volume of stories about Pooh, Piglet and the denizens of Milne's famous forest. Missing is the charm of the first book, mediated by an adult narrator creating a tableau for his child's imaginative play with a coterie of stuffed friends. Like the first books, there are 10 stories, but they are aged up to reflect Christopher's new interests-the play here involves a spelling bee, cricket, the creation of a school, the use of a thesaurus, atlas, dictionary, etc. A new character, Lottie the Otter, joins Rabbit and Owl to make a trio of the sanctimonious. Even saintly Kanga-Kanga!-loses her patience with Roo. There are a few inspired moments, including Rabbit's ill-conceived plan to lure his Friends and Relations to participate in a census using carrots and shortbread. (Rabbit also gets the best line: "Happy may be all very well, Eeyore, but it doesn't butter any parsnips.") Burgess's illustrations are serviceable and resemble the originals, but, again, topping Shepard's originals proves a tough act to follow. All ages. (Oct.) Copyright 2009 Reed Business Information.