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Winner of Richard & Judy's Best Read, the third Jackson Brodie novel - literary crime from the number one bestselling author.
Kate Atkinson won the Whitbread (now Costa) Book of the Year prize with her first novel, Behind the Scenes at the Museum. Her four bestselling novels featuring former detective Jackson Brodie became the BBC television series Case Histories, starring Jason Isaacs. Her 2013 novel Life After Life won the South Bank Sky Arts Literature Prize, was shortlisted for the Women's Prize, voted Book of the Year for the independent booksellers associations on both sides of the Atlantic. It also won the Costa Novel Award, as did her new novel A God in Ruins (2015). She was appointed MBE in the 2011 Queen's Birthday Honours List, and was voted Waterstones UK Author of the Year at the 2013 Specsavers National Book Awards.
A former detective stuck on a train hears a terrifying sound. So does a teenager watching TV. And decades ago, Joanna Mason's family encountered something shocking on a country lane. It all ties together in the latest thriller from Atkinson. Copyright 2008 Reed Business Information.
The latest Atkinson mystery finds detective Jackson Brodie back in the English countryside, where he becomes caught up in a missing person's case that forces old memories and past mistakes to the forefront of his mind. Told from a mainly female perspective, both that of detective chief Louise Monroe and victim Joanna Mason, the story is delivered perfectly by narrator Ellen Archer. She is fully and completely aware of the undertones in most of her characters' voices, and when she captures them, she creates a stirring experience for her audience. As Brodie, Archer is slightly less effective, only because she opts for a straightforward, dry tone that is less flashy. But her portrayal of Reggie, a 16-year-old Scottish boy, is amazingly astute and shaded. A Little, Brown hardcover (Reviews, July 28). (Sept.) Copyright 2008 Reed Business Information.
"By becoming a crime writer she has - in a way that other "literary" types may wish to note - become a better literary writer than ever: funny, bracingly intelligent and delightfully prickly . . . Kate Atkinson is that rarest of beasts, a genuinely surprising novelist" * Guardian * "Atkinson's genius is her sure control of plot . . . immaculately - even lovingly - paced, and it is a measure of Atkinson's talent that I read it in one sitting . . . insightful, often funny, life-affirming" * Sunday Telegraph * "An exhilarating read. Her wry humour, sharp eye for the quirks of human behaviour and subtle characterisation are a constant joy...with writing of this quality, there is good news on every page" * Daily Mail * "An intricately crafted tale of coincidence and fate, love and longing. From the get-go, Atkinson's pitch-perfect ear for dialogue is apparent . . . As in the best crime fiction, dramatic events and unexpected twists abound, but Atkinson subverts the genre by refusing to neatly tie up every thread. And while there is plenty of blood and bitterness, redemption and resolve are well represented too. Good news all around" * Independent * "Atkinson's world is full of bizarre accidents and meaningless murders, but she celebrates love, laughter and literature so wholeheartedly that I cheered aloud. She is one of the most eccentric of crime writers, and perhaps the sanest. Everybody should read her" * Telegraph *