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War of No Pity
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Table of Contents

List of Illustrations xi Acknowledgments xiii INTRODUCTION: Jingoism, Warmongering, Racism 1 CHAPTER ONE: Diabolical Possession and the National Conscience 19 CHAPTER TWO: Three Parables of Violence 58 CHAPTER THREE: The Culture of Retribution: Capital Punishment, Maurice Dering, Flotsam 99 CHAPTER FOUR: The Mutiny in Victorian Historiography 134 CHAPTER FIVE: The Infernal Kingdom of A Tale of Two Cities 205 CHAPTER SIX: Lady Audley's Secret: The Mutiny, the Gothic, and the Feminine 239 EPILOGUE: Fiction Fair and Foul: Novels of the Mutiny 273 Notes 289 Works Cited 307 Index 317

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This gripping book is about an irrepressible mutiny that occurred within the Victorian imagination. The Sepoy rebellion and its ruthlessly vindictive putting-down proved two sides of a Mobius strip that, obsessively fretted by the Victorians themselves in a long agony of conscience, disclosed intolerable continuities between their dreams of virtue and their nightmares of abomination. Herbert's attention to a range of journals, histories, and novels is so scrupulous, sympathetic, and unflinching as to put to shame the doctrinaire anti-imperialist scholarship that is still prevalent within the field. -- Herbert Tucker, University of Virginia This book speaks to an urgent question about the present: how does a world power represent and respond to the violence it has itself helped to bring about? Christopher Herbert brilliantly identifies a 'mutiny syndrome': a displaced response to a political violence that cannot be named but cannot be ignored or conjured away and thus persists as a kind of trauma. Readers will inevitably ask themselves whether we can claim to be doing better than our Victorian precursors in assessing our own responsibilities for the violence that is in the world today. A wonderful book. -- David Simpson, University of California, Davis War of No Pity mounts a bold challenge to standard postcolonial interpretations of Victorian imperial culture. Through painstakingly close reading of an impressive array of both familiar and relatively unknown texts, and with vigorous writing, Christopher Herbert takes on a powerful critical consensus--from Edward Said's case against the West's unified 'will to power' to the dismissal of Victorian moral anxieties by prominent critics of Victorian literature. In short, this book fulfills its explicit goal of disturbing 'received opinion' in a field ready to be reinvigorated by fresh insights and questions. -- Margery Sabin, Wellesley College Christopher Herbert has written a searching, scrupulously researched, cogently argued, and, above all, brave and independent book that deserves to be widely read and debated--a book sure to appeal to students and scholars in a variety of areas, including literary studies and history. -- James Buzard, Massachusetts Institute of Technology

About the Author

Christopher Herbert is the Chester D. Tripp Professor of the Humanities at Northwestern University. He is the author of three previous books, including "Victorian Relativity: Radical Thought and Scientific Discovery".

Reviews

"War of No Pity is a vital and vitally important work of literary, cultural, and historical criticism, one that no student of the Victorian period can afford not to know."--Stephen Arata, Victorian Studies "Christopher Herbert has done postcolonialists, Victorianists, and indeed anyone interested in modern violence a remarkable service in reading a vast amount of Mutiny literature and returning to tell the tale of it. War of No Pity explicates the kind of violence that can ensue between any us and any them, given the recurrent conditions of empire, in all of its forms and fictions."--Elaine Freedgood, Criticism "A most impressive study of colonial relations and India is Christopher Herbert's War of No Pity: The Indian Mutiny and Victorian Trauma that, in great and significant detail, does away with as many presuppositions as possible."--Ann C. Colley, Studies in English Literature "[T]his is an excellent book, admirable in its scope and depth, thoroughly enjoyable, and very thought provoking."--Michael J. Turner, Journal of British Studies "Students of Britain's nineteenth-century empire owe Herbert a considerable debt for the sheer volume of Mutiny references, both popular and highbrow, he has assembled here... Herbert has given us new and compelling reasons to return to the Mutiny as a watershed, if not the watershed, moment in the making of Victorian imperial culture."--Antoinette Burton, Journal of Modern History "It should be required reading for every scholar of Victorian culture and above all for students of imperialism and the Empire."--Thomas William Heyck, European Legacy "[T]his is an exemplary exercise in the subtle fusing of historical and literary methods, and Herbert is to be congratulated on producing a genuinely original and thought provoking book."--Maria Misra, The Historian

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