Tryin' to Sleep in the Bed You Made
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About the Author

Virginia DeBerry and Donna Grant are the bestselling authors of Better Than I Know Myself and Far from the Tree. Tryin' to Sleep in the Bed You Made won the Merit Award for fiction from the black caucus of the American Library Association, the Book of the Year award from Blackboard, and the New Author of the Year Award from the Go On Girl Book Club. Virginia and Donna first met while working as models, and what should have been a rivalry ended up as a decades-long friendship. Virginia lives in New Jersey, and Donna lives in Brooklyn, New York.

Reviews

"Their heroines are balanced and clearly drawn, while their plot manages to spring myriad surprises without resorting to obvious gimmickry. In an age when personal responsibility is often abrogated in the name of early childhood emotional trauma, Pat and Gayle are refreshingly honest characters, accepting of their own and each other's shortcomings." - Publishers Weekly

The product of two women who have been best friends for almost 20 years, this first novel tells of‘you guessed it‘two longtime best friends. An ambitious promotional campaign should stimulate demand.

In 1989, Gayle Saunders Hilliard is living a nightmare. Her husband, Ramsey, a compulsive gambler, has committed suicide, leaving Gayle, her young daughter and her widowed mother destitute. Pressed to add to her income as a receptionist, Gayle, who is African American, takes a part-time job as a maid at a suburban New York hotel, where she encounters her childhood best friend, Pat Reid, a polished executive for an ad agency. Pat, who was taken in by Gayle's parents and brought up as family after her mother abandoned her, hasn't spoken to Gayle in 10 years‘ever since Gayle neglected to pick her up at an abortion clinic because she was tied up with her gambler husband. In flashbacks, we see Gayle's upbringing as the indulged child of older parents, and Pat's need to revise her family history as she becomes a workaholic and claws her way up the hierarchy of Manhattan corporate life. Eventually, the two draw upon their shared past to rebuild their lives. The authors have collaborated seamlessly on this well-paced debut. Their heroines are balanced and clearly drawn, while their plot manages to spring myriad surprises without resorting to obvious gimmickry. In an age when personal responsibility is often abrogated in the name of early childhood emotional trauma, Pat and Gayle are refreshingly honest characters, accepting of their own and each other's shortcomings. Author tour.(Jan.)

Their heroines are balanced and clearly drawn, while their plot manages to spring myriad surprises without resorting to obvious gimmickry. In an age when personal responsibility is often abrogated in the name of early childhood emotional trauma, Pat and Gayle are refreshingly honest characters, accepting of their own and each other's shortcomings. - Publishers Weekly

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