Jenna Blum lived in London and Minneapolis before settling in Boston, where she now teaches at Boston University and Grub Street Writers. Jenna is of German and Jewish descent and worked for Steven Spielberg's Shoah Foundation for four years, interviewing Holocaust survivors. Those Who Save Us is her first novel. She currently teaches at Boston University and is the fiction editor for AGNI magazine
Harcourt debut fiction: a professor of German history, liberated from the camps with her mother at age three, tracks down dark secrets from the past. Fiction editor for AGNI, Blum once worked for Steven Spielberg's Shoah Foundation. Copyright 2003 Reed Business Information.
A compelling and often heart-wrenching work. * * The Observer *
Jenna Blum's seductive, subtle style kept me hooked. * * Sunday Telegraph * *
A penetrating novel which touches the heart and questions the conscience. * * Independent on Sunday * *
An emotive and incisive endeavour. * * Guardian * *
Blum, who worked for Steven Spielberg's Shoah Foundation, takes a direct, unsentimental look at the Holocaust in her first novel. The narrative alternates between the present-day story of Trudy, a history professor at a Minneapolis university collecting oral histories of WWII survivors (both German and Jewish), and that of her aged but once beautiful German mother, Anna, who left her country when she married an American soldier. Interspersed with Trudy's interviews with German immigrants, many of whom reveal unabashed anti-Semitism, Anna's story flashes back to her hometown of Weimar. As Nazi anti-Jewish edicts intensify in the 1930s, Anna hides her love affair with a Jewish doctor, Max Stern. When Max is interned at nearby Buchenwald and Anna's father dies, Anna, carrying Max's child, goes to live with a baker who smuggles bread to prisoners at the camp. Anna assists with the smuggling after Trudy's birth until the baker is caught and executed. Then Anna catches the eye of the Obersturmf?hrer, a high-ranking Nazi officer at Buchenwald, who suspects her of also supplying the inmates with bread. He coerces her into a torrid, abusive affair, in which she remains complicit to ensure her survival and that of her baby daughter. Blum paints a subtle, nuanced portrait of the Obersturmf?hrer, complicating his sordid cruelty with more delicate facets of his personality. Ultimately, present and past overlap with a shocking yet believable coincidence. Blum's spare imagery is nightmarish and intimate, imbuing familiar panoramas of Nazi atrocity with stark new power. This is a poised, hair-raising debut. Agent, Stephanie Abou at the Joy Harris Literary Agency. (Apr.) Copyright 2004 Reed Business Information.