Kevin Barry is the author of three novels and two short story collections. His awards include the IMPAC Dublin Literary Award, the Goldsmiths Prize, the Sunday Times EFG Short Story Prize and the Lannan Foundation Literary Award. His stories and essays have appeared in the New Yorker, Granta and elsewhere. He also works as a playwright and screenwriter, and he lives in County Sligo, Ireland. His latest novel, Night Boat to Tangier, was an Irish number one bestseller, was longlisted for the Booker Prize and shortlisted for Novel of the Year at the Irish Book Awards.
The master short story teller turns messy emotions into riveting
tales of wounded Irish folk . . . One of the best collections
you'll read this year
* * Sunday Times * *
Wild, witty stories . . . The west of Ireland teems with canny
characters and vivid language . . . Darkly glimmering . . . Their
language is exhilarating, its verve evoking the very best of
Barry's compatriots while further carving out a territory that's
all his own
* * Observer * *
These are brilliant and vivid and uproarious stories. It's a rare
writer who can call a tune like Kevin Barry
*LISA McINERNEY*
Barry often writes with sonorous wisdom . . . but as readers of his
grimly hilarious novels will know, his language is just as precise
when it is in the service of comedy . . . Exhilaratingly funny and
poignant fables
* * Sunday Telegraph * *
These playful, serious and beautifully crafted stories allow Barry
to experiment as we need great writers to do
* * Irish Times * *
The third short-story collection from a stylist to savour brings
more exhilarating, darkly witty tales of oddballs yearning after
love and enchantment in the wild west of Ireland
* * Guardian, 50 hottest new books everyone should read * *
An extraordinary writer . . . In his short stories Barry seems most
fully and brilliantly himself . . . Unimprovable masterpieces . . .
So rich and so flawlessly crafted - its best stories feel instantly
canonical, as if we've already been reading them for years . . .
The opening story is letter-perfect from its first line . . .
Funny, moving, built with superior economy, this is the real thing
. . . Barry remains the great romantic of contemporary Irish
fiction. Like all of the most interesting artists, he gets better
with every risk he takes. The courage may be his. But the rewards
are all ours
* * Irish Independent * *
Full of the damaged characters, menacing rural scenery and darkly
comic, slantwise prose that have become his trademark . . . At each
turn, Barry makes his fiction a matter of life and death
* * New Statesman * *
Optimism and sorrow anchor the stories in this collection, where
relationships take unexpected turns and characters befuddle one
another and themselves. Barry's writing sparkles, as ever, moving
speedily between pathos and humour to great effect
* * New York Times Book Review, Editors' Choice * *
Barry is wickedly funny, slyly transgressive and consistently
brilliant. He is constantly turning tricks with language before
upending us on the thwarted desires of his characters and the dark
energy of his landscapes. And underpinning it all, the melancholy
of men that is Barry's hallmark
*MARY COSTELLO*
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