Table of Contents

Telling True Stories
Acknowledgments
Preface

Part I: An Invitation to Narrative
Stories Matter by Jacqui Banaszynski
Delving into Private Lives by Gay Talese
The Narrative Idea by David Halberstam
Difficult Journalism That's Slap-Up Fun by Katherine Boo

Part II: Finding, Researching, and Reporting Topics
Introduction by Mark Kramer and Wendy Call
Finding Good Topics: A Writer's Questions by Lane DeGregory
Finding Good Topics: An Editor's Questions by Jan Winburn
Reporting for Narrative: Ten Overlapping Rules by Mark Kramer
To Tape or Not to Tape? by Adam Hochschild, Jacqui Banaszynski, Jon Franklin, and Gay Talese
Interviewing: Accelerated Intimacy by Isabel Wilkerson
The Psychological Interview by Jon Franklin
Participatory Reporting: Sending Myself to Prison by Ted Conover
Being There by Anne Hull
Not Always Being There by Louise Kiernan
Reporting Across Cultures by Victor Merina
Reporting on Your Own by S. Mitra Kalita
Field Notes to Full Draft by Tracy Kidder
Doing Enough Reporting? by Walt Harrington
From Story Idea to Published Story by Cynthia Gorney
(Narrative) J School for People Who Never Went by Adrian Nicole LeBlanc

Part III: Name Your Subgenre
Introduction by Mark Kramer and Wendy Call
Profiles by Jacqui Banaszynski
The Ladder of Abstraction by Roy Peter Clark
Every Profile Is an Epic Story by Tomas Alex Tizon
The Limits of Profiles by Malcolm Gladwell
Travel Writing: Inner and Outer Journeys by Adam Hochschild
The Personal Essay and the First-Person Character by Phillip Lopate
First Personal Singular: Sometimes, It Is About You by DeNeen L. Brown
Columns: Intimate Public Conversations by Donna Britt
Writing About History by Jill Lepore
Adventures in History by Melissa Fay Greene
Narrative Investigative Writing by Katherine Boo
Public Radio: Community Storytelling by Jay Allison

Part IV: Constructing a Structure
Introduction by Mark Kramer and Wendy Call
What Narrative Writers Can Learn from Screenwriters by Nora Ephron
To Begin the Beginning by DeNeen L. Brown
Narrative Distance by Jack Hart
Hearing Our Subjects' Voices: Quotes and Dialogue by Kelley Benham
Hearing Our Subjects' Voices: Keeping It Real and True by Debra Dickerson
Weaving Story and Idea by Nicholas Lemann
Endings by Bruce DeSilva

Part V: Building Quality into the Work
Introduction by Mark Kramer and Wendy Call
Character by Jon Franklin
Details Matter by Walt Harrington
Developing Character by Stanley Nelson
Reconstructing Scenes by Adam Hochschild
A Reconstructed Scene by Adam Hochschild
Setting the Scene by Mark Kramer
Handling Time by Bruce DeSilva
Sequencing: Text as Line by Tom French
Writing Complicated Stories by Louise Kiernan
How I Get to the Point by Walt Harrington
The Emotional Core of the Story by Tom Wolfe
Telling the Story, Telling the Truth by Alma Guillermoprieto
On Voice by Susan Orlean

Part VI: Ethics
Introduction by Mark Kramer and Wendy Call
The Line Between Fact and Fiction by Roy Peter Clark
Toward an Ethical Code for Narrative Journalists by Walt Harrington
Playing Fair with Subjects by Isabel Wilkerson
Securing Consent by Tracy Kidder
Truth and Consequences by Katherine Boo
Dealing with Danger: Protecting Your Subject and Your Story by Sonia Nazario
A Dilemma of Immersion Journalism by Anne Hull
Ethics in Personal Writing by Debra Dickerson
Taking Liberties: The Ethics of the Truth by Loung Ung
The Ethics of Attribution by Roy Peter Clark
What About Endnotes? by Sonia Nazario and Nicholas Lemann

Part VII: Editing
Introduction by Mark Kramer and Wendy Call
On Style by Emily Hiestand
A Writer and Editor Talk Shop by Jan Winburn and Lisa Pollak
Revising--Over and Over Again by Anne Hull
Transforming One Hundred Notebooks into Thirty-five Thousand Words by Sonia Nazario
How to Come Up Short by Tom Hallman
Narrative in Four Boxes by Jacqui Banaszynski
Serial Narratives by Tom French
Care and Feeding of Editors and Writers by Jacqui Banaszynski

Part VIII: Narrative in the News Organization
Introduction by Mark Kramer and Wendy Call
Beginning in Narrative by Walt Harrington
A Brief History of Narrative in Newspaper by Jack Hart
Nurturing Narrative in the Newsroom by Jack Hart
A Storyteller's Lexicon by Jack Hart
Narrative as a Daily Habit by Lane DeGregory
Building a Narrative Team by Maria Carrillo
Two Visions, One Series: A Writer and an Editor Talk About What They Do by Jacqui Banaszynski and Tomas Alex Tizon
Team Storytelling by Louise Kiernan
Photographer as Narrative Storyteller by Molly Bingham
Subversive Storytellers: Starting a Narrative Group by Bob Batz Jr.

Part IX: Building a Career in Magazines and Books
Introduction by Mark Kramer and Wendy Call
Making It as a Freelancer by Jim Collins
Not Stopping: Time Management for Writers by Stewart O'Nan
Lessons from the Jury Box by Jack Hart
Working with an Agent by Melissa Fay Greene
What Makes a Good Book? by Helene Atwan
From Book Idea to Book Contract by Jim Collins
Your Book and the Marketplace by Geri Thoma
Crossing Over: From Advocacy to Narrative by Samantha Power
A Passion for Writing by Susan Orlean

Suggested Reading
Web Sites and Internet Resources
About the Editors
About the Contributors
Index

About the Author

Mark Kramer was writer-in-residence in the American Studies Program at Smith College (1980-1990), writer-in-residence and a professor of journalism at Boston University (1990-2001), and writer-in-residence and founding director of the Nieman Program on Narrative Journalism at Harvard University (2001-2007). He's written for the New York Times Magazine, National Geographic, The Atlantic Monthly, and many other periodicals. He's co-author of two leading textbook/readers on narrative nonfiction: Telling True Stories and Literary Journalism. He's written four additional books: Mother Walter and the Pig Tragedy, Three Farms, Invasive Procedures, and Travels with a Hungry Bear. He's currently at work on a book about writing narrative nonfiction. His website is www.tellingtruestories.com.

Wendy Call is author of No Word for Welcome: The Mexican Village Faces the Global Economy, winner of the 2011 Grub Street National Book Prize for Nonfiction. She co-edited Telling True Stories: A Nonfiction Writers' Guide. Wendy has served as Writer in Residence at 20 institutions, five national parks, four universities, a public hospital, and a historical archive. She writes and edits nonfiction, translates Mexican poetry and short fiction, and works as a teacher at Richard Hugo House and Goddard College. Before turning to full-time word-working in 2000, she devoted a decade to work for social change organizations in Boston and Seattle. The daughter of a middle-school math teacher and a career Navy officer from Michigan, Wendy grew up on and around military bases in Florida, Pennsylvania, southern California, and southern Maryland. She lives and works in Seattle.

Reviews

“Tantalizing essays… Ultimately this is a book about why stories matter and how journalists can and should master the craft of storytelling, whether they work in newspapers, magazines, books, radio, television, or film… [B]rims with wisdom on how to get to the emotional core of nonfiction stories. It contains useful advice on everything from how to get people to open up… to how to distill all the material you have gathered into a polished story that glues readers to the page… This is the kind of book that any aspiring storyteller can dip into and learn from, no matter what the stage of his or her career.”—Alison Bass, Harvard Review
 
“Tips spill from every chapter of the book… Every page—and I mean every page—contains important wisdom for every journalist. Telling True Stories is the relatively rare guide that offers value to veteran journalists, to novices, to investigative journalists and to beat reporters.—Steve Weinberg, The IRE Journal
 
“A virtuoso collection of essays by writers on writing non-fiction; these remarkable insights into the craft were collected at Harvard University and includes selections from such notable veteran scribes as Tom Wolfe, Tracy Kidder, Susan Orlean, David Halberstam, Nora Ephron and Malcolm Gladwell.”—The Seattle Post-Intelligencer 
 
“Practical advice for writers on how to get published, write a memoir, and more.”—Boston Magazine
 
“Provides advice from 51 nonfiction writers, including notables Tom Wolfe, Gay Talese, and Nora Ephron… Writers coming to this book should not expect one clear-cut path for producing strong nonfiction; instead, the book provides pointed but wide-ranging advice on writing-a good illustration of the creativity behind nonfiction and the individuality of the writing process. There is enough variety for almost any nonfiction writer to find inspiration and guidance. Topics include interviewing techniques, storytelling, using tape recorders and notebooks, developing characters and scenes, and editing. The section titled ‘Building a Career in Magazines and Books’ will especially help new writers.”—Library Journal