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Sweet Tooth
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About the Author

Ian McEwan is the bestselling author of fourteen previous books, including the novels Solar; On Chesil Beach; Saturday; Atonement, winner of the National Book Critics Circle Award and the W. H. Smith Literary Award; The Comfort of Strangers and Black Dogs, both shortlisted for the Booker Prize; Amsterdam, winner of the Booker Prize; and The Child in Time, winner of the Whitbread Award. He has also authored the story collections First Love, Last Rites, winner of the Somerset Maugham Award, and In Between the Sheets. He lives in England.

Reviews

"Effortlessly seductive." --The New York Times "McEwan's most stylish and personal book to date. . . . The year's most intensely enjoyable novel." --The Daily Beast "Ian McEwan's delicious new novel provides all the pleasures one has come to expect of him: pervasive intelligence, broad and deep knowledge, elegant prose, subtle wit and, by no means least, a singularly agreeable element of surprise." --The Washington Post "It's Jane Austen meets John Le Carr� meets John Barth. . . . Remarkable." --The Boston Globe "A tightly crafted, exquisitely executed page-turner--a post-modern hall of mirrors asking savvy questions about identity (with an unreliable narrator and a Martin Amis cameo), all concealed in the immersive trappings of a Victorian novel complete with a marriage plot. There's such rich pleasure and vulnerability in McEwan's storytelling, such style and heart in his well-honed sentences." --USA Today "Extremely clever in both the British and American senses . . . his most cheerful book by far." --The New York Times Book Review "McEwan has pulled off something remarkable here: Sweet Tooth is a suspenseful plot-and-character-driven novel with an unexpected postmodern twist. It's Jane Austen meets John Le Carr� meets John Barth . . . [Its] delights turn out to be considerable." --The Boston Globe "What could be a better match--Ian McEwan and a spy story? The English writer is a thinking person's best-seller, whose intelligent, tightly plotted novels, narrated in careful prose, address the pressing social and political issues of our days." --San Francisco Chronicle "An espionage story that, at its heart, is about literature. . . . Ruminate[s] on writers, writing, and the power of stories." --Entertainment Weekly "Spy novels often boast plenty of twists but few real surprises. Sweet Tooth, however, includes a plot development at once unpredictable and plausible. Such is McEwan's dexterity in crafting this game-changer, that not only does it mesh with the story but also enrobes what came before with an extra layer of meaning. . . . Life-affirming and almost defiantly romantic." --The Miami Herald "An engaging book that's as much suspenseful drama as it is romantic love story." --NPR Books "Ian McEwan's delicious new novel provides all the pleasures one has come to expect of him: pervasive intelligence, broad and deep knowledge, elegant prose, subtle wit and, by no means least, a singularly agreeable element of surprise." --Kansas City Star "The novel's pleasures are multiple and, as always with McEwan, they begin with the storytelling." --Bloomberg Businessweek "McEwan, a contemporary master of narrative . . . brings suspense and wit to the telling. . . . Sweet Tooth moves elegantly toward its inevitable conclusion." --The Seattle Times "A wisecracking thriller hightailing between love and betrayal, with serious counter-espionage credentials thrown in. . . . This is ultimately a book about writing, wordplay and knowingness." --The Sunday Telegraph (London) "Thoroughly clever. . . . A sublime novel about novels, about writing them and reading them and the spying that goes on in doing both. . . . McEwan has spied on real life to write Sweet Tooth, and in reading it we are invited to spy on him. . . . Rich and enjoyable." --Financial Times "McEwan fans won't be disappointed by Sweet Tooth, and newcomers to the author will be meeting him at the top of his game." --The Globe and Mail (Toronto)

How easily we are fooled, and how easily we fool ourselves. That's the sense we get when reading this latest from Booker Prize winner McEwan (Solar), set in the Cold War 1970s. Rather gorgeous Serena Frome ("rhymes with plume") attends Cambridge to study mathematics, though she'd rather be reading, because she's persuaded that women must prove themselves adept with numbers. She scrapes by with a third, meanwhile having an affair with a married history professor who secretly grooms her for the intelligence service and then dumps her. Drafted by MI5, she's on the lowest rung when she's asked to participate in a mission, codenamed Sweet Tooth, aimed at secretly funding writers whose views align with the government. Serena's target is Tom Haley, with whom she foolishly falls in love. Then he writes the grimmest, darkest postapocalyptic novel imaginable. VERDICT The writing is creamy smooth, the ultimate trap-within-a-trap pure gold, and the whole absolutely engrossing, but poor Serena. She's such a doof, and she's a bit condensed too (by both characters and author), which leaves a bitter taste no matter how good the novel. [See Prepub Alert, 5/4/12.]-Barbara Hoffert, Library Journal (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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