Prologue: setting - and unsettling - the stage; Introduction: the space of the supernatural; 1. The devil's in the archive: Ovidian physics and Doctor Faustus; 2. Scene at the deathbed: Ars Moriendi, Othello, and envisioning the supernatural; 3. When hell freezes over: the fabulous Mount Hecla and Hamlet's infernal geography; 4. Metamorphic cosmologies: the world according to Calvin, Hooker, and Macbeth; 5. Divine geometry in a geodetic age: surveying, God, and The Tempest; Epilogue: re-enchanting geography.
Through detailed discussion of plays by Shakespeare and Marlowe, Poole explores the supernatural in sixteenth- and seventeenth-century England.
Kristen Poole is Associate Professor in the English Department at the University of Delaware. She specializes in the religious culture and literature of sixteenth- and seventeenth-century England. She is the author of Radical Religion from Shakespeare to Milton: Figures of Nonconformity in Early Modern England (Cambridge University Press, 2000) and has published articles in numerous scholarly journals.
"Poole navigates herself deftly though the minefield of ambiguities
of literal and metaphorical language of the early modern
supernatural....Supernatural Environments certainly succeeds in
bringing to attention the important role of cartographic and
mathematical developments in changing concepts of supernatural
spaces and how these conflicting ideas are addressed in the
theater. While much of the book's introductory material on the need
to reevaluate "the decline of magic" sounds all too familiar, the
arguments that Poole follows with are significant as the
implications of Clark's monumental study have yet to be fully
addressed in a theatrical context. Poole writes engagingly and the
argument is fascinating. Supernatural Environments is an ambitious
project and Poole quite rightly reveals the possibility of more
research in the area. It will be interesting to see what follows."
--Marlowe Society of America Newsletter
"This is an important, clever, and well-written book that makes a striking contribution to early modern studies, and its epilogue offers a vision of a ``reenchanted geography'' (219) that is richly suggestive and should inspire new thinking about the period." --Renaissance Society of America