The Storyteller Essays
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A new translation of philosopher Walter Benjamin's work as it pertains to his famous essay, "The Storyteller," this collection includes short stories, book reviews, parables, and as a selection of writings by other authors who had an influence on Benjamin's work.

Table of Contents

Introduction
THE STORYTELLER ESSAYS
Introduction
Johann Peter Hebel
The Crisis of the Novel: On Doeblin's Berlin Alexanderplatz
Mulberry Omelet
The Lisbon Earthquake
Oskar Maria Graf as Storyteller
On Proverbs
The Handkerchief
Storytelling and Healing
Reading Novels
The Art of Storytelling
By the Fire
Experience and Poverty

The Storyteller
ESSAYS BY OTHERS
Silence and Mirror by Ernst Bloch

The Giant's Toy as Legend by Ernst Bloch
The Embroidery of Marie Monnier by Paul Valery
From Theory of the Novel by Georg Lukacs
On Sadness by Michel de Montaigne
From Histories by Herodotus
From The Treasure Chest of the Rhenish Family-Friend
by Johann Peter Hebel

About the Author

Walter Benjamin (1892-1940) was a philosopher, cultural critic, and essayist. Associated with the Frankfurt School, Benjamin influenced many of his contemporaries, including Bertolt Brecht, Gershom Scholem, and Theodor Adorno. Benjamin's best-known essays include "The Task of the Translator," "The Work of Art in the Age of Mechanical Reproduction," and "Theses on the Philosophy of History." In 1940, he committed suicide in Portbou, on the French-Spanish border, when his attempt to escape Nazi forces was thwarted. Tess Lewis is a writer and translator of French and German literature. Her translations include works by Peter Handke, Lutz Seiler, Alois Hotsching, and many others. She won the 2017 PEN Translation Prize for her work on Maja Haderlap's novel Angel of Oblivion. She lives in Bronxville, New York. Samuel Titan is the director of the Instituto Moreira Salles, a nonprofit organization based in Rio de Janeiro.

Reviews

"[T]he newly published collection The Storyteller Essays, translated by Tess Lewis and edited by Samuel Titan, marks a unique achievement. . . . It provides a brief intellectual history of an essay and revivifies it" -Clint Williamson, Full Stop

"[B]ecause it is delivered without panic, quietly, in graceful sentences, from within the culture of books and criticism, it is hard at first to accept the implications of what Benjamin is saying. You suspect he is being bombastic in order for him to come back later and tell you what modern literature's saving grace is, but the moment of redemption does not arrive. . . . Reading such claims over eighty years later, we might be reminded that every generation foresees a crisis and the end of the world as we know it. It is also possible that Benjamin had his eyes wide open at the beginning of our era and proved able to observe its salient features."-Philip O Ceallaigh, The Stinging Fly

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