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Spook Country (Blue Ant)
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About the Author

William Gibson's first novel, Neuromancer, won the Hugo Award, the Nebula Award, and the Philip K. Dick Award. He is also the New York Times bestselling author of Count Zero, Burning Chrome, Mona Lisa Overdrive, Virtual Light, Idoru, All Tomorrow's Parties, Pattern Recognition, Spook Country, Zero History, Distrust That Particular Flavor, and The Peripheral. He lives in Vancouver, British Columbia, with his wife.

Reviews

Gibson, author of the award-winning -archetypal cyberpunk novel Neuromancer, has returned with a book that demonstrates yet again his ability to select from the trends of tomorrow's artifacts that will grab us today. In Spook Country, characters collide-seemingly at random-and interact in a multilayered fashion that has become Gibson's signature style. Hollis Henry, a former singer with a defunct indie rock band, has been hired by Node, a shadowy British version of Wired magazine, to write an article on locative art, an artistic innovation that uses virtual reality environments placed via GPS-tagging into the real world. She crosses paths with a Cuban Chinese Santeria-worshipping martial artist, various hackers, conceptual artists, and several spooks whose loyalties are complex and sometimes nebulous. This slow unfolding of motive and plot may annoy those who dislike being lost for several minutes as it titillates others. Robertson Dean brings a sonorous, classically disciplined bass-baritone voice to the reading; his ability to read the narrative passages with precise diction and careful pacing is contrasted by his use of accents and inflection when conveying conversations. Recommended for public and academic libraries with medium to large collections of speculative fiction.-David Faucheux, Louisiana Audio Information & Reading Svc., Lafayette Copyright 2007 Reed Business Information.

Robertson Dean's deep, soothing tones anchor this post-9/11 thriller, a follow-up to Pattern Recognition. Told from three third-person perspectives, the story concerns a journalist backed by a mysterious Belgian industrialist, a young Cuban-Chinese go-to guy from a secretive clan of criminals, and a junkie fluent in Russian, who get caught up in a search for a mysterious shipping container. Gibson reinvents the concept he made famous in his landmark SF novel, Neuromancer-i.e., cyberspace-creating a more nuanced and up-to-date relationship between the virtual and the real. For Gibson, the nature of the quest object is almost beside the point; it merely serves as a spark for a series of cleverly orchestrated confrontations and interesting meditations about the world and where it's headed. In a novel that's light on dialogue and heavy on narration and interior monologue, Dean doesn't need to create distinct, accented voices. He provides reflective calm for Gibson's musings, and clarity to detailed, complex action scenes. Although there are a few strange mispronunciations, this is, on the whole, a smooth, intelligent recording of an intriguing and gripping book. Simultaneous release with the Putnam hardcover (Reviews, June 18). (Sept.) Copyright 2007 Reed Business Information.

"A puzzle palace of bewitching proportions and stubborn echoes."--Los Angeles Times "Arguably the first example of the post-post-9/11 novel, whose characters are tired of being pushed around by forces larger than they are--bureaucracy, history and, always, technology--and are at long last ready to start pushing back."--The New York Times Book Review "Like Pynchon and DeLillo, Gibson excels at pinpointing the hidden forces that shape our world."--Details "[A] dazed, mournful quality...[An] evocation of post-9/11 displacement, the sense of a world in which nothing seems fixed or reassuring...one of our vital novelists."--Newsday "Although wearing the trappings of a thriller, Spook Country is essentially a comedy, albeit a dry, dark, and disturbing one."--San Francisco Chronicle

"A fitful, fast-forward spy tale...It's to Gibson's credit that he weaves his strands of disparate narrators, protagonists and foils, and his panoply of far-forward technology, into a vivid, suspenseful and ultimately coherent tale."--USA Today

"Part thriller, part spy novel, part speculative fiction, Gibson's provocative work is like nothing you have ever read before."--Library Journal "Set in the same high-tech present day as Pattern Recognition, Gibson's fine ninth novel offers startling insights into our paranoid and often fragmented postmodern world....Compelling characters and crisp action sequences, plus the author's trademark metaphoric language, help make this one of Gibson's best."--Publishers Weekly (starred review) "Gibson excels as usual in creating an off-kilter atmosphere of vague menace."--Kirkus Reviews

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