David Mitchell is the author of the novels Ghostwritten, number9dream, Cloud Atlas, Black Swan Green, The Thousand Autumns of Jacob de Zoet and The Bone Clocks. He has won the John Llewellyn Rhys, Geoffrey Faber Memorial and South Bank Show Literature Prizes, and been shortlisted twice for the Booker Prize. In 2003, David Mitchell was selected as one of Granta's Best of Young British Novelists.
Plants died, milk curdled, and my children went slightly feral as I succumbed to the creepy magic of David Mitchell's Slade House. It's a wildly inventive, chilling, and - for all its other-worldiness - wonderfully human haunted house story. I plan to return to its clutches quite often. * Gillian Flynn, author of Gone Girl * Mitchell's most pleasurable book to date, which also features some of his finest writing * Jonathan Barnes, Literary Review * Irresistible * Hephzibah Anderson, Mail on Sunday * [Mitchell] seamlessly brings together his clashing parallel realities through wordplay so dazzling it seems to defy its own gravitational rules. * Claire Allfree, Metro * Genuinely good, genuinely scary. * Harry Ritchie, Daily Mail * A deliciously creepy story to be read for plot and for pleasure, with your heart racing, and your eyes involuntarily skipping forwards to find out what happens. * Claire Lowdon, Sunday Times * An elegant fright-fest of the highest order . . . Mitchell masterfully, humorously, combines the classic components of a scary story - old house, dark alley, missing persons - with a realism, when describing the lives of the victims, that is pacy, funny and true. * Melissa Katsoulis, The Times * Packed with heady ideas and pulsing with dark energy . . . both dazzlingly inventive and compulsively readable. * Malcolm Forbes, Financial Times * Chilling and dazzling . . . but the real skill of the book is in its emotional impact. Mitchell makes you care about each of the narrators * Stuart Kelly, Scotland on Sunday * Manically ingenious . . . Each fresh product of Mitchell's soaring imagination functions as an echo chamber for both his previous ideas and his oeuvre to come * Liz Jensen, Guardian *