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Kwok-kan Tam is Professor in the Department of English, The Chinese University of Hong Kong. He received his Ph.D. in English and comparative literature at the University of Illinois at Urbana-Champaign. He has published extensively on literary and cultural theory, Chinese-Western comparative literature, film and theatre studies. His recent publications include New Chinese Cinema (co-authored, 1998), The Politics of Subject Construction in Modern Chinese Literature (2000), Ibsen in China 1908-1997: A Critical-Annotated Bibliography of Criticism, Translation and Performance (2001) and Soul of Chaos: Critical Perspectives on Gao Xingjian (2001). Wimal Dissanayake received his Ph.D. in literature at the University of Cambridge. He has been scholar-in-residence at Hong Kong Baptist University and an senior fellow of the East-West Center, Honolulu, and is currently a professor at the University of Hong Kong. He has published more than twenty books on Asian culture, communication and film studies. Among his recent publications are Global/Local: Cultural Production and the Transnational Imaginary (co-edited, 1996) and Indian Popular Cinema: A Narrative of Cultural Change (co-authored, 1998). He is an award-winning poet and has published six volumes of poetry. Terry Siu-han Yip is Professor and Chairperson of the Department of English Language and Literature, Hong Kong Baptist University. She received her Ph.D. in comparative literature from the University of Illinois at Urbana-Champaign. She has published extensively on Chinese-Western comparative literature, gender studies and Chinese women's writings. Her recent publications include A Place of One's Own: Stories of Self in China, Taiwan, Hong Kong and Singapore (co-edited, 1999) and Shakespeare Global/Local (co-edited, 2002).