Part I: Interfaces
1. On Board/On Boarder
2. Dialogue/ The DialogicalPart II: Death Drives in the City 3. Theatrocracy and Memory in Austerity Times 4. Modern Cities of Silence: Disasters, Nature, and the Petrified Bodies of History 5. Wounded Borders: The Arrival of the "Barbarians" 6. Eros and Thanatos in Transnational Europe Part III: Senses Revisited 7. Touch and Taste 8. Border Echoes Part IV: Sensing the Invisible 9. Divination, Media and the Networked Body of Modernity 10. A Last Word on Dreaming Part V: Borders of Translatability 11. On "Native" Ethnography in Modernity 12. Ethnopoetic Dialogues: Performing Local History 13. Performing Intercultural Translation Part VI: The Violence of the Lettered 14. Events of Deadly Rumor: By Way of an Epilogue:
C. Nadia Seremetakis is Professor of Cultural Anthropology at the University of the Peloponnese, Greece. She has authored several acclaimed books and articles in English and Greek, including poetry, and has been actively engaged in public anthropology in both Europe and the USA, where she lived and taught for more than two decades.
"This book is an impassioned intervention in a changing European and modern political culture. It re-enchants the everyday, the grass-roots, the familial-feminine, and the concrete in unique and important ways...and proposes a new public anthropology of broad use refocused on the sensorium that emerges from the traumatic in everyday life.
Drawing on her own continuing fieldwork and cultural
participation in Greece, as well as elsewhere in Europe and the US,
and inspired by Adorno, Taussig, Benjamin, Foucault, de Certeau,
and other critics of a flattening, disembodying modernity,
Seremetakis engages the politics of EU "management" and other
practices of "modern development" with sensitive attention to their
effects on ordinary people living everyday lives. The observations
found in this book are rich and exciting, and the interpretations
advanced are unpredictably open-minded."
Judith Farquhar, University of Chicago & Director, USA
"This book is marked by a heterogeneity of micrological
ethnographic sites cut across by recurrent themes...such as the
spatialization of sensory experience and memory, the critique of
the axis of Dominant and Archaicized culture (as formulated by
Raymond Williams), a counter concern with Residual and Emergent
cultural forms excluded from that axis, and a unique philological
approach to sensory experience through an archeology of vernacular
language. This framework generates fascinating insights on cultural
heritage as sensory archives in relation to the museumification of
Greece which is in direct communication with its current debt
collapse. ...Powerful is also the author's analysis of rumor as an
element of corruption and deceit of Greek public culture."
Allen Feldman, New York University, USA "A major work that will certainly be discussed and become a reference point for many years ...It reveals Seremetakis as an ethnographer of the everyday, strolling the world like a modern day flaneur, with her eyes open for telling details that are then woven into extraordinary anthropological analyses of diverse topics ....that add up to "the study of the quotidian in process." Her ruminations...exquisitely and sensitively observed and poignant beyond words, reveal also that she has not stopped thinking on pain and death, just gotten better at it.... This is Seremetakis at her finest."
Paul Stoller, West Chester University, USA