Introduction
Rough Guide to a Lonely Planet, from Nemo to Neo, by Mark Bould
Part One: Things to come
1. The Anamorphic Estrangements of Science Fiction, by Matthew
Beaumont
2. Art as 'The Basic Technique of Life': Utopian Art and Art in
Utopia in The Dispossessed and Blue Mars, by William J. Burling
3. Marxism, Cinema and Some Dialectics of Science Fiction and Film
Noir, by Carl Freedman
4. Spectacle, Technology and Colonialism in Sf Cinema: The Case of
Wim Wenders's Until the End of the World, by John Rieder
Part Two: When worlds collide
5. The Singularity is Here, by Steven Shaviro
6. Species and Species Being: Alienated Subjectivity and the
Commodification of Animals, by Sherryl Vint
7. Ken MacLeod's Permanent Revolution: Utopian Possible Worlds,
History and the Augenblick in the Fall Revolution quartet, by
Phillip Wegner
Part Three: Back to the future
8. 'Madonna in moon rocket with breeches': Weimar sf film criticism
during the stabilisation period, by Iris Luppa
9. The Urban Question in New Wave Sf, by Rob Latham
10. Towards a Revolutionary Science Fiction: Althusser's Critique
of Historicity, by Darren Jorgensen
11. Utopia and Science Fiction Revisited, by Andrew Milner
Afterword
Cognition as Ideology: A Dialectic of Sf Theory, by China
Miéville
Appendices
Left Sf: Selected and annotated, if not always exactly recommended,
works
Critical and theoretical works
About the contributors
Index
Mark Bould is Reader in Film and Literature at the University of
the West of England. He is an advisory editor for Extrapolation,
Historical Materialism, Paradoxa and Science Fiction Studies. He is
the co-editor of The Routledge Companion to Science Fiction
(Routledge, 2009) and Red Planets (Pluto, 2009).
China Mieville lives and works in London. He is three-time winner
of the prestigious Arthur C. Clarke Award and has also won the
British Fantasy Award twice. He is the author of October (Verso,
2017), The City and The City (Macmillan, 2011) Between Equal Rights
(Pluto, 2006) and editor of Red Planets (Pluto, 2009).
'This collection marks a red shift in thinking about the history,
form, and impact of science fiction literature and film. In robust
dialectical manoeuvres, the essays, by a dynamic mix of scholars,
simultaneously revive, critique, and transform the vibrant
tradition of Marxist sf criticism. The book is a timely, readable,
and incisive intervention in contemporary cultural critique'
*Tom Moylan is Glucksman Professor of Contemporary Writing in
English and Director of the Ralahine Centre for Utopian Studies at
the University of Limerick.*
'Shows what science fiction criticism can do when Marxist critical
practice is joined by science studies and the rest of theory. The
results are tremendously exciting and powerful, explaining not just
a genre but our world'
*Kim Stanley Robinson, author of the Mars trilogy*
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