Introduction
1. Reading the graphic surface
2. The presence of the book
3. The graphic surface in theory
4. Mimesis and the graphic surface: a critical blindspot
5. 'If the gentle compositor would be so friendly': Samuel
Beckett's Murphy and Watt
6. 'The technological fact of the book': B.S. Johnson
7. 'Some languages are more visible than others': Christine
Brooke-Rose's Thru
8. Alasdair Gray: maker of books
Conclusion
Further reading
Index
Glyn White is a Lecturer in Twentieth Century Literature and Culture at the University of Salford
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