MAX ALLAN COLLINS was named a Grand Master in 2017 by the Mystery
Writers of America. He is a three-time winner of the Private Eye
Writers of America’s Life Achievement award (2006), the Eye. His
graphic novel Road to Perdition (1998) became the Academy
Award-winning film directed by Sam Mendes and starring Tom Hanks.
His other comics credits include the syndicated strip Dick Tracy,
Batman, and (with artist Terry Beatty) his own Ms. Tree and Wild
Dog. He has completed fourteen Mike Hammer novels begun by the late
Mickey Spillane, and his Hammer audio novel The Little Death with
Stacy Keach won a 2011 Audie. Recently he adapted the first of his
Nathan Heller novels into a ten-part audio drama, True Noir.
For five years, he was sole licensing writer for TV’s CSI: Crime
Scene Investigation, creating best-selling novels, graphic novels,
and video games. His movie tie-in
novels have appeared on the USA Today and New York Times bestseller
lists, including Saving Private Ryan, Air Force One, and American
Gangster.
Max has written and directed two documentaries and seven feature
films, including the Lifetime movie Mommy (1996); and he scripted
The Expert, a 1995 HBO World Premiere, as well as the film-festival
favorite The Last Lullaby (2009) based on his innovative Quarry
novels, which were also adapted as a 2016 TV series by Cinemax, for
which Max wrote two scripts. Collins properties have also been
optioned by Skydance, Lionsgate and CBS Films. His most recent
self-scripted/directed indie films are Mickey Spillane’s Encore for
Murder (2022), Blue Christmas (2023) and Death by Fruitcake (2024).
"Collins treats us to a wonderfully vivid look at the pornography
industry in its heyday. From publishers to centerfolds to strippers
to feminist protesters, he cuts through the stereotypes with quick
bits of subtle characterization (but, please, don't say you read a
book with Climax in the title only for the characters)." -
Booklist
"Quintessential Collins and Quarry, a glorious mix of well-written
action, humor, and sudden, unexpected, brutality." - Mystery
Scene
I've written about the Quarry books several times... it remains my
favorite Collins series. I think one of the reasons I enjoy these
books so much is because it melds the headlong pulpy momentum of
Mickey Spillane with the gleefully transgressive sensibility of
seventies trash paperback series like The Executioner or The
Liquidator. But, y'know, better...Collins can plot a mystery;
everything develops naturally and the puzzle is always taxing
without ever feeling contrived....I always enjoy seeing it done
well and Collins does it better than most. I recommend all the
Quarry books and you can read them in most any order, but I enjoyed
this one more than any of them since The Wrong Quarry.
-AtomicJunkShop
"fast paced and fun" - San Francisco Book Review & Seattle Book
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