UMBERTO ECO (1932-2016) was the author of numerous essay collections and seven novels, including The Name of the Rose, The Prague Cemetery, and Inventing the Enemy. He received Italy's highest literary award, the Premio Strega, was named a Chevalier de la L gion d'Honneur by the French government, and was an honorary member of the American Academy of Arts and Letters. RICHARD DIXON lives and works in Italy. His translations include works by Umberto Eco, Roberto Calasso, and Giacomo Leopardi. His translation of The Prague Cemetery by Umberto Eco was short-listed for the Independent Foreign Fiction Prize in 2012.
"[Eco's] latest takes that longtime thriller darling, the conspiracy theory, and turns it into something grander...Sold to 40 countries and said to be controversial; a speed-read with smarts." -- Library Journal, Pre-Pub Alert, "My Picks" "A whirlwind tour of conspiracy and political intrigue...this dark tale is delightfully embellished with sophisticated and playful commentary on, among other things, Freud, metafiction, and the challenges of historiography." -- Booklist "Intriguing, hilarious....a tale by a master." -- Publishers Weekly boxed review "He's got a humdinger in this new high-level whodunit...a perplexing, multilayered, attention-holding mystery." -- Kirkus, starred "I find this book fascinating, perhaps the best Eco has written in years. Eco takes on conspiracy theories in the feverish political activism of nineteenth-century Europe--freemasonry, the Italian Risorgimento, the Paris Commune, and above all the forgery of the slanderous The Protocols of the Elders of Zion. What if there were a single mastermind behind all these conspiracies? It's already a bestseller in Italy, and I can't get enough of it!" -- Huffington Post "The Prague Cemetery is vintage Eco....Eco, the star bookworm of our times, has used his genius for excavating libraries to construct a semifictional narrative of how The Protocols might have evolved....The Prague Cemetery is at once entertainment, education, and warning. As usual, Eco has enjoyed himself. The narrative is vivid, shocking, sometimes baffling. It's loaded ....with learned Eco disquisitions on bomb-making, the Paris sewers, the history of the Commune, the taxonomical distinctions between ladies on the game (grisettes, cocottes, biches, lorettes, and courtesans), early theories of brain function, and so forth. But as a genealogy showing how The Protocols evolved from the nightmares bequeathed to Europe by medieval heresy-hunting (the subject of The Name of the Rose), the book is a triumph." -- New York Review of Books