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Popular Music in Theory


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Table of Contents

Introduction. 1. Audiences. 2. Industry. 3. Mediations. 4. Identities. 5. Histories. 6. Geographies. 7. Politics. Bibliography. Index.


"An excellent critical introduction to major theoretical issues and debates in the study of contemporary popular music, drawing on illustrative case studies that will be familiar to a wide readership. Clearly written and well argued, the book will be essential reading for students, researchers and teachers." Sara Cohen, University of Liverpool "A bumper primer for the field as a whole ... instructive and enlightening." Q Magazine "The book functions both as an introduction to theories in the field, and as an outline of a coherent theoretical model of its own." European Journal of Communication

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