Promotional Information

The new novel from the author of 'March' and 'Year of Wonders' takes place in the aftermath of the Bosnian War, as a young book conservator arrives in Sarajevo to restore a lost treasure. When Hannah Heath gets a call in the middle of the night in her Sydney home about a precious medieval manuscript which has been recovered from the smouldering ruins of wartorn Sarajevo, she knows she is on the brink of the experience of a lifetime. A renowned book conservator, she must now make her way to Bosnia to start work on restoring The Sarajevo Haggadah, a Jewish prayer book -- to discover its secrets and piece together the story of its miraculous survival. But the trip will also set in motion a series of events that threaten to rock Hannah's orderly life, including her encounter with Ozren Karamen, the young librarian who risked his life to save the book. As meticulously researched as all of Brooks's previous work, 'People of the Book' is a gripping and moving novel about war, art, love and survival. Key title Includes PS Section / From the bestselling, Pulitzer Prize-winning author of 'March', comes a fantastic and intriguing novel set in Sarajevo about the finding of a mysterious, medieval manuscript. / 'March' was a Richard and Judy pick and has sold over 97,000 copies in the UK alone. / 'Year of Wonders' was a Sunday Times bestseller and has sold over 110,000 copies in the UK alone. / Competition: Anita Shreve, Charles Frazier

About the Author

Geraldine Brooks was born and raised in Australia. After moving to the USA she worked for eleven years on the Wall Street Journal, covering stories from some of the world’s most troubled areas, including Bosnia, Somalia and the Middle East. Her first novel, ‘Year of Wonders’ became an international bestseller and her second, ‘March’ won the 2006 Pulitzer Prize for Fiction. She lives with her husband and son in rural Virginia and is currently a fellow at Harvard University.

Reviews

'Brooks expertly guides us to the conclusion that the world is made up of only two types of people: those who would destroy books and those who would give their lives to save them. This illuminating novel, like its predecessor, is well worthy of both Pulitzer and prime-time approbation.' Independent on Sunday 'These stories have a raw and visceral power. The book is full of historical detail.' Naomi Alderman, F.T. Magazine 'An irresistible subject, given urgency by its timeliness and poignancy by its paradoxicality: for the novel is based on the true story of an ancient Jewish codex saved from the fire by a Muslim librarian. Her performance will satisfy many readers.' Guardian 'The epic themes of love and war are her preferred canvas and here she sets up multiple narrative strands to tell the turbulent story of this Haggadah. Anti-Semitism is the momentum propelling the book's extraordinary journey forwards and Brooks evokes her various fraught historical-religious conflicts vividly.' Metro 'Even more compelling than the detective plot is the novel's portrayal of the harrowing lives of its historical characters. Brooks is a compassionate writer. "People of the Book" is a powerful account of individual resistance to intolerance and the precious value of history. It is also a gripping story.' TLS 'The descriptions are sensuous and the story fascinating.' The Times

Reading Geraldine Brooks's remarkable debut novel, Year of Wonders, or more recently March, which won the Pulitzer Prize, it would be easy to forget that she grew up in Australia and worked as a journalist. Now in her dazzling new novel, People of the Book, Brooks allows both her native land and current events to play a larger role while still continuing to mine the historical material that speaks so ardently to her imagination. Late one night in the city of Sydney, Hanna Heath, a rare book conservator, gets a phone call. The Sarajevo Haggadah, which disappeared during the siege in 1992, has been found, and Hanna has been invited by the U.N. to report on its condition. Missing documents and art works (as Dan Brown and Lev Grossman, among others, have demonstrated) are endlessly appealing, and from this inviting premise Brooks spins her story in two directions. In the present, we follow the resolutely independent Hanna through her thrilling first encounter with the beautifully illustrated codex and her discovery of the tiny signs-a white hair, an insect wing, missing clasps, a drop of salt, a wine stain-that will help her to discover its provenance. Along with the book she also meets its savior, a Muslim librarian named Karaman. Their romance offers both predictable pleasures and genuine surprises, as does the other main relationship in Hanna's life: her fraught connection with her mother. In the other strand of the narrative we learn, moving backward through time, how the codex came to be lost and found, and made. From the opening section, set in Sarajevo in 1940, to the final section, set in Seville in 1480, these narratives show Brooks writing at her very best. With equal authority she depicts the struggles of a young girl to escape the Nazis, a duel of wits between an inquisitor and a rabbi living in the Venice ghetto, and a girl's passionate relationship with her mistress in a harem. Like the illustrations in the Haggadah, each of these sections transports the reader to a fully realized, vividly peopled world. And each gives a glimpse of both the long history of anti-Semitism and of the struggle of women toward the independence that Hanna, despite her mother's lectures, tends to take for granted. Brooks is too good a novelist to belabor her political messages, but her depiction of the Haggadah bringing together Jews, Christians and Muslims could not be more timely. Her gift for storytelling, happily, is timeless. Copyright 2007 Reed Business Information.

Adult/High School-Hanna Heath, an Australian book conservationist, is thrilled to be chosen to work on the rare illuminated Haggadah created in Spain in the Middle Ages. The book had been protected in a museum in Sarajevo until 1994, when it was rescued from certain plunder during the Bosnian conflict and hidden in a bank vault by a Muslim librarian. Hanna is as eager to learn and preserve the mysterious history of the codex as she is to restore the manuscript. How did it come to be illustrated, a practice believed to have been forbidden by Jewish law? What is the meaning of the wine stain, the hair, the insect wing, and the salt crystals? The author uses these artifacts to weave a thrilling tale of the unusual creation of the Haggadah in Seville in 1480 and its dangerous journey to Tarragona, Venice, Vienna, and finally Sarajevo. It is a story of the Inquisition and wars, and the enlightenment or ignorance of the men and women who would save or destroy this brilliant treasure. Integrated into these compelling vignettes is Hanna's own story: her passion for her work, her unhappy relationship with her mother, and her bittersweet love affair. Sophisticated teens will appreciate Hanna's sarcastic, witty observations, which mask a vulnerable lack of confidence. The mystery of the codex and the forensic examinations are intriguing and will keep readers eagerly awaiting the next revelation. Inspired by the true story of the Sarajevo Haggadah, Brooks has imagined a thrilling mystery and a history that has deep ramifications in our own time.-Jackie Gropman, Chantilly Regional Library, Fairfax County, VA Copyright 2008 Reed Business Information.