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Painting the Impressionistic Landscape
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Table of Contents

Introduction
Approaches and Impressions
Tools and Materials
Painting the Woods
Demonstration: Painting the Woods in Watercolor
The Approach
Photography
Pencil Sketch the Experience
Watercolor Sketches
In the Studio
Special Watercolor Technique: Lifting with a Thirsty Brush
Gallery
Demonstration: Painting the Woods in Acrylic
Getting Ready
In the Studio
Painting Flowers from the Garden
Who Doesn't Love Flowers?
Demonstration: Painting Flowers in Watercolor
Photography
Starting to Pencil Sketch
On-site Watercolor
In the Studio
Getting Ready for Studio Watercolor
Special Technique for Watercolor and Acrylic: Plastic Wrap
Creating Texture
Gallery
Demonstration: Painting Flowers in Acrylic
Setting Up
Gallery
Painting the Rocks and Sea
Demonstration: Painting the Rocks and Sea in Watercolor
Choosing the Site
Photographs to Start
Sketching
The Nature of Rocks
In the Studio
Getting Ready
Design, Value, Color
Color
Special Watercolor Technique: Scraping for Texture
Capturing a Moment
Gallery
Demonstration: Painting the Rocks and Sea in Acrylic
Getting Ready
Building Up Texture on the Rocks
Gallery
Conclusion
Resources
Acknowledgments
About the Author/About the Photographer
Index

About the Author

Dustan Knight is a professional artist, educator, and art writer. She earned her Masters in Fine Art from Pratt Institute in New York and her MA in Art History from Boston University. She is a recipient of a New Hampshire State Fellowship for the arts, a MacDowell Colony residency, and a Cummington Artist Colony residency. Dustan is represented by galleries across the US, including Art Three in Manchester, NH, the Ogunquit Art Association in Maine, the Gallery Venetucci in Newport Rhode Island, and Bowerstock Gallery in Provincetown. Shes a contributing writer to Art New England and gives demonstrations and workshops in watercolor, art business, and art history.

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