Sianne Ngai is Professor of English at the University of Chicago. She is the author of Ugly Feelings and Our Aesthetic Categories: Zany, Cute, Interesting, winner of the Modern Language Association's James Russell Lowell Prize. Her work has been translated into multiple languages, and she has received fellowships from the Institute of Advanced Study in Berlin and the American Council of Learned Societies.
Sianne Ngai gives us once again a radiantly idiosyncratic study of
that which we never thought to examine and that which we now
understand to be crucial to our daily experience as social beings.
Under Ngai's quick eye and deft hand, the zany, the cute, and the
merely interesting reveal their pertinence for the history and
historicity of aesthetic development, the intimacy between
quotidian materiality and philosophic inquiry, and the collisions
among modernity, art, labor, and performing bodies.--Anne A. Cheng,
author of Second Skin
Sianne Ngai has written an important book which harks back to the heyday of the leftist literary theory of the 1980s, and is none the worse for that. Dense and demanding, occasionally meandering, [it is] equally at home with I Love Lucy and conceptual art, Theodor Adorno and Jim Carrey... Laudable and ambitious... In order for art to fulfill its role and for criticism to survive, 'aesthetic theory' needs to develop new and powerful concepts which reflect both art's changing nature and its ubiquity. This challenging and important book takes the first steps in this task.-- (04/12/2013)
Sianne Ngai's new book is a major work of aesthetic theory: challenging a beauty-based aesthetics, closing the gap between aesthetic theory and artistic practice, and offering irreverent categories that work across disciplines and periods to make better sense of our cultural experience. Our Aesthetic Categories takes up the mantle of Adorno's Aesthetic Theory, and here Ngai becomes the leading cultural critic of our day.--Jonathan Culler, Cornell University
This wonderfully original book (I hesitate to call it 'cute, zany, and interesting, ' but that wouldn't be wrong) invents fresh and incisive new categories for that tired old study called aesthetics. Maybe such categories could even transform the field itself, but they certainly transform the way we look at contemporary literature and culture (which Sianne Ngai knows with startling extensiveness), and maybe they will also end up transforming our outlook on the art of the past as well. Our Aesthetic Categories is in any case one of the most exciting new theoretical books to come along in some time.--Fredric Jameson, Duke University
With unparalleled originality, ambition, and insight, Sianne Ngai reimagines aesthetic theory for our time. Building on her work in Ugly Feelings, Ngai insists on the significance of minor, ordinary aesthetic experience. Our Aesthetic Categories displaces the centrality of beauty in aesthetics and illuminates the social processes at work in ubiquitous and taken-for-granted acts of judgment. This book will make you feel the present differently.--Heather Love, University of Pennsylvania