Introduction: Opera, Multiculturalism, and Coloniality Mary I. Ingraham, Joseph K. So, and Roy Moodley Part I: Opera as Tradition 1. Jazz, Opera, and the Ideologies of Race Linda Hutcheon and Michael Hutcheon 2. Blacks and Blackface at the Opera Robin Elliott 3. From Chinatown Opera to The First Emperor: Racial Imagination, the Trope of "Chinese Opera" and New Hybridity Nancy Yunhwa Rao 4. The Other Within: Negotiating Musical Citizenship in Canadian Opera Mary Ingraham 5. Playing the Race Card: Anti-Semitism and Wagner® Nicholas Vazsonyi Part II: Critical Case Studies 6. Joseph Haydn’s Judaizing of the Apothecary—Take 2 Caryl Clark 7. Strauss and Racial Science Sander L. Gilman 8. Their Meister’s Voice: Nazi Reception of Richard Wagner and His Works in the Völkischer Beobachtez David B. Dennis 9. Returning to Where She Didn’t Come From: Turandot on the Chinese Stage Josh Stenberg 10. Reflections on a Most Unusual Parsifal: Bayreuth and Christoph Schlingensief Frances Henry 11. Racism and Sexism: Melodies that Continue to Soar on the Operatic Landscape Wallace Cheatham Part III: Opera in the Real World 12. Jazzing Up Opera: A Defence of Québécité George Elliott Clarke 13. Voices from the Gallery: Perceptions, Perspectives and Pleasures of the Opera Audience Deanna Davis, Joseph K. So, and Roy Moodley 14. Constructing Operatic Racism in Postmodern Cultural Studies Frances Henry and Carol Tator
Mary I. Ingraham is Professor of Musicology at the University of
Alberta. Her research examines the socio-political context for
cultural creation in Canada, particularly as it reflects
intercultural encounters between European, indigenous, and
immigrant cultures. She has published a catalogue of Canadian
operas, on interculturality, and has written online educational
materials for the Canadian Music Centre.
Joseph K. So is Professor Emeritus of Anthropology at Trent
University. A medical anthropologist, Professor So also specializes
in the anthropology of race and racism, with a focus on the
representation of race in the performing arts/opera. In addition to
many articles and chapters in anthropology, he has had an
eighteen-year history of writing articles on music and opera. He is
Associate Editor of Opera Canada, Canadian correspondent for Opera
(UK), and Associate Editor of La Scena Musicale/ The Music
Scene.
Roy Moodley is Associate Professor in Counseling Psychology at the
Ontario Institute for Studies in Education at the University of
Toronto. Research and publication interests include traditional and
cultural healing; multicultural and diversity counseling; race,
culture, and ethnicity in psychotherapy; and masculinities.
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