Miranda Paul is the award-winning author of more than a dozen books for children, including One Plastic Bag and Boston Globe-Horn Book Honoree Nine Months Before a Baby Is Born. Miranda is a founding member of We Need Diverse Books and serves as its mentorship chair. Learn more at mirandapaul.com. Elizabeth Zunon grew up in the Ivory Coast, West Africa, and memories of her childhood can be seen in her artwork. She currently lives in Albany, New York. Find her online at www.lizzunon.com.
As Isatou Ceesay, a young woman in Njau, Gambia, drops and breaks the basket of fruit she is carrying, she discovers an abandoned bag made of a strange fabric plastic. At first these brightly colored bags seem convenient throughout the village, but as they break, they are discarded. As 1 becomes 2, then 10, then 100, their beauty turns into a growing pile of filth that attracts dirty water, mosquitos, and a stench. When the problem worsens as goats begin to eat the bags and die, Isatou and her friends devise a clever plan that's initially met with ridicule. They wash the bags, cut and roll them into plastic thread, and crochet them into purses, all in secret. But when 1, then 2, then 10 women buy them, proud entrepreneur Isatou soon has enough money to buy a new goat and relishes the returned beauty of her village. Colorful textured and patterned collage artwork illustrates this inspiring true story, which concludes with more information about Isatou's grassroots initiative. Booklist-- "Journal"
Distressed by the problem of plastic-bag disposal, a Gambian woman organizes her neighbors to turn trash into treasure.When Isatou Ceesay first discovered plastic bags in the Gambia in West Africa, in the 1980s, they seemed wonderfully useful and sturdy. But in her village, they soon became a nuisance, piling up in ugly dump areas where mosquitoes bred. Goats ate them and died. Her solution was to collect and clean used bags, cut them into strips and crochet the strips into useful plastic purses. These were sold at local markets and eventually internationally. Paul, who first went to the Gambia as a volunteer and has returned in other roles, tells this story in a straightforward fashion, deftly including words from the Wolof language and including details about Ceesay's village life. A map, author's note, glossary, timeline and excellent suggestions for further reading set this example of a woman who made a difference in a larger context. Fittingly, the collage illustrations make use of colorful papers and plastic bags. These reveal the labor involved and show the women's joy in the results of their work. Though Isatou Ceesay's country may be unfamiliar to young readers, they've probably done some handicraft recycling of their own. The easy connection makes this a welcome addition to the small shelf of examples of ingenuity in developing nations. --Kirkus Reviews-- "Journal"
In the 1980s in the cities of Gambia, a switch from using baskets made of natural materials to non-biodegradable plastic bags led to a problem: roadsides began to be choked by ever-growing piles of plastic bags. Then the problem spread to the villages. In Njau, Gambia, a young woman named Isatou Ceesay became concerned; when she learned that these non-biodegradable objects, discarded after breakage and tears made them no longer usable, were attracting disease-bearing insects and that domestic animals often died after eating the bags, she decided to do something about it. Author Paul has written a clear and sensitive account of Ceesay and her fellow activists' ingenious solution to the plastic bag problem (they wash them, cut the bags into strips, and crochet the strips into small purses to sell in the city). Zunon's collages, with their vivid colors, elegant patterns, and varied textures--especially those from actual plastic bags--provide a beautiful and authentic entry into the story. An informative author's note, glossary, timeline, and suggestions for further reading accompany the story. This handsome presentation of grassroots environmental activism is certain to inspire young readers. --The Horn Book Magazine-- "Journal"
One woman's efforts to rid her Gambian village of trash sparks a recycling movement in this uplifting tale inspired by true events. As a girl, Inatou admired the colors and myriad uses of the plastic bags that began to proliferate in her community. But years later, the same plastic bags, festering in trash heaps or floating through the air, have become a menace to humans and animals. Compelled to make her home beautiful, Inatou gathers the bags, cleans them, and crochets them into purses. She teaches other women to do the same, and an ecologically-minded enterprise is born. Notes of hope, determination, and empowerment suffuse Paul's story, which the author explains was informed by her volunteer work as a teacher in the Gambia. Incorporating real plastic bags into her mixed-media collages, Zunon, who grew up in West Africa, juxtaposes the brown, dusty landscape against splashes of color and vibrant printed dresses and head coverings worn by the village women. A glossary and list of suggested reading are included. --Publishers Weekly-- "Journal"
The simple format of this picture book belies the strength of its content, a story lovingly supported by charming collage illustrations. As a girl, Ceesay realized that the goats on which her village relied were dying because they were eating plastic bags. She also saw that people were tossing the used bags on the ground just as they had always thrown away their baskets when no longer useful--except the plastic bags, unlike the baskets, weren't biodegradable. So Ceesay figured out how to use crochet, a skill with which the villagers were already familiar, to make purses out of the plastic bags. Simple but lyrical text conveys this beautiful, thought-provoking tale of ecological awareness and recycling ('The basket tips. One fruit tumbles. Then two. Then ten.'). An inspiring account. --starred, School Library Journal-- "Journal"