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From New York Times and Sunday Times bestselling writer Neil Gaiman, comes a novel of memory, magic and survival, about the power of stories and the darkness inside each of us.
Neil Gaiman is the author of over thirty acclaimed books and graphic novels for adults and children, including AMERICAN GODS, STARDUST, CORALINE and THE GRAVEYARD BOOK. His most recent novel for adults, THE OCEAN AT THE END OF THE LANE was highly acclaimed, appeared on the hardback and paperback Sunday Times bestseller lists and won several awards, including being voted Book of the Year in the National Book Awards 2013: 'Some books you read. Some books you enjoy. But some books just swallow you up, heart and soul' Joanne Harris. The recipient of numerous literary honours, Neil Gaiman's work has been adapted for film, television and radio. He has written scripts for Doctor Who, collaborated with authors and illustrators including Terry Pratchett, Dave McKean and Chris Riddell, and THE SANDMAN is established as one of the classic graphic novels. As George R R Martin says: 'There's no one quite like Neil Gaiman.' Originally from England, Neil Gaiman now lives in America.
"Childhood memories are sometimes covered and obscured beneath the things that come later... but they are never lost for good"-and the most grim of those memories, no matter how faint, can haunt one forever, as they do the anonymous narrator of Gaiman's subtle and splendid modern myth. The protagonist, an artist, returns to his childhood home in the English countryside to recover his memory of events that nearly destroyed him and his family when he was seven. The suicide of a stranger opened the way for a deadly spirit who disguised herself as a housekeeper, won over the boy's sister and mother, seduced his father, and threatened the boy if he told anyone the truth. He had allies-a warm and welcoming family of witches at the old farm up the road-but defeating this evil demanded a sacrifice he was not prepared for. Gaiman (Anansi Boys) has crafted a fresh story of magic, humanity, loyalty, and memories "waiting at the edges of things," where lost innocence can still be restored as long as someone is willing to bear the cost. Agent: Merrilee Heifetz, Writers House. (June) (c) Copyright PWxyz, LLC. All rights reserved.
Gaiman here departs somewhat from his previous books, instead featuring greater emphasis on investigation of the human condition and a more subdued fantasy element. The main character revisits his boyhood, particularly a series of formative events surrounding his friendship with a girl named Lettie Hempstock. The plot rapidly evolves from reminiscent to scary to downright life-threatening, with profound reflections on mortality inherent in the drama. In this ominous environment, seeming evil is explained as a misplaced desire to please, and the ocean at the end of the lane is a liquid knowledge bath transcending space and time that helps rescue the boy. In fact, Lettie is one of the keepers of the ocean, and she and her family represent caretakers who manage the equilibrium of our world and protect the hapless. As we learn the full extent of our narrator's relationship with the Hempstocks, the absolute necessity of the act of forgetting becomes clear. VERDICT Scott Smith's The Ruins meets Astrid Lingren's Pippi Longstocking. A slim and magical feat of meaningful storytelling genius. [See Prepub Alert, 12/16/12.]-Henry Bankhead, Los Gatos Lib., CA (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.