Table of Contents

TABLE OF CONTENTS
 
Mrs. Manstey's View
 
The Good May Come
 
The Portrait
 
A Cup of Cold Water
 
A Journey
 
The Rembrandt
 
The Other Two
 
The Quicksand
 
The Dilettante
 
The Reckoning
 
Expiation
 
The Pot-Boiler
 
His Father's Son
 
Full Circle
 
Autres Temps . . . 
 
The Long Run
 
After Holbein
 
Diagnosis
 
Pomegranate Seed
 
Roman Fever

About the Author

Edith Wharton (1862-1937) was born in New York City. Her father, George Jones, was a relative of the Joneses that fashionable people proverbially strive to keep up with; her mother, Lucretia Rhinelander, came from one of the city's oldest families. Raised in New York and in Europe, Edith Jones was twenty-three when she married Edward Robbins Wharton (known as Teddy). In 1902 they built themselves a forty-two-room house, The Mount, in Lenox, Massachusetts, but Teddy's mental instability and financial irregularities led to a divorce in 1913, after which Edith moved to France, where she lived for the rest of her life. During the First World War, Wharton threw herself into war relief, traveling to the front lines and founding a charity for refugees, in recognition of which she was made a Chevalier of the Legion of Honor in 1916. Wharton published her first book, a collection of poems, in her teens and in 1897 achieved popular success as co-author of The Decoration of Houses, a treatise on aesthetics and interior design. Her first volume of short stories, The Greater Inclination, came out in 1899. Among the most famous of her many novels are The House of Mirth (1905), Ethan Frome (1912), The Custom of the Country (1913), and The Age of Innocence (1920), for which she received the Pulitzer Prize in 1921, the first woman to do so. Roxana Robinson is the author of a biography of Georgia O'Keeffe and of six books of fiction, including the novel Sweetwater and the story collection A Perfect Stranger. She is a Guggenheim Fellow and lives in New York City.

Reviews

“If these stories have a defining subject (other than New York) it is divorce, which begins to replace art as Wharton's excuse for discussing the fashionable and the real. In fact, one of the pleasures of a collection like this is that you can trace her tendencies in it? and the way they develop.”
—Time Literary Supplement

“Edith Wharton, whose deft portraits of the upper class are taken as definitive accounts of the late 19th century, remains one of the most potent names in the literature of New York.”
—Christopher Gray, The New York Times

“Wharton was Old New York . . . [her family] belonged to that tiny but powerful New York clan . . . who clung together, intermarried, set the tone and made the rules for society in Manhattan . . . Her New York fiction spans the years from, roughly, 1840 through the turn of the century—from before her birth, in other words, through the Civil War and beyond into the Gilded Age, an era of tremendous transformation in American society.”
—Charles McGrath, The New York Times

“Mrs. Wharton had her turf, that almost sepia New York, to be turned over and over again, like setting the plow to the family farm every spring.”
—Elizabeth Hardwick, The New York Review of Books

“New York City [is] the setting of Wharton’s finest fictions.”
—The New York Observer

“In both stories [“Mrs. Manstey’s View” and “Roman Fever”], and in the intervening 18 that compromise this collection, we find women observing the world from a distance, restrained by the extraordinarily elaborate codes of behaviour that govern well-to-do, turn-of-the-century New York. But also women surprising themselves, and us, with the intensity of their feelings and desires, and the ingenuity with which they’ll circumnavigate in order to express them. Where passions smoulder at length in Wharton’s novels, her stories zero in on the moments of eruption. Always, though, in the most elegantly crystalline and coolly ironic prose.”
—The Independent

“Spanning 40 years (1891-1934), these 20 tales of low passions and high society show off Wharton at her forensic and acerbic best. Divorce, adultery, bankruptcy: the misdeeds that undermine gentility in the brownstones of the Manhattan rich alter, but the fear and fragility behind all the charm do not. To rebels, bolters or swindlers, these plush parlours may be prisons; but, after expulsion, they glow “with the glamor of sword-barred Edens.”
—The Observer (UK)

“Let’s do this the way Edith Wharton’s publicist would do it: ‘Steeped in Manhattan high society, Edith Wharton has a unique perspective on the lavish parties, debauched bachelors and vicious women of a certain age who prowl the penthouses of Manhattan . . . All true. Except since The New York Stories of Edith Wharton spans the late 19th and early 20th centuries, the indiscretions within are a lot more nuanced than in, say, Gossip Girl.”
—L Magazine