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The Musician as Entrepreneur, 1700-1914


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Table of Contents

I. Overview of the Subject
1. William Weber, "The Musician as Entrepreneur and Opportunist, 1700-1914"
2. Richard Leppert, "The Musician of the Imagination"
II. Early Musical Entrepreneurs
3. Tanya Kevorkian, "Changing Times, Changing Music: 'New Church' Music and Musicians in Leipzig, 1700-1750"
4. David Gramit, "Selling the Serious: The Commodification of Music and Resistance to it in Germany, c. 1800"
III. Concert Management in the Nineteenth Century
5. William Weber, "From the Self-Managing Musician to the Independent Concert Agent"
6. Laure Schnapper, "Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849"
7. Dana Gooley, "Franz Liszt: The Virtuoso as Strategist"
8. Simon McVeigh, "'An Audience for High-Class Music': The Musician as Entrepreneur in late Nineteenth-Century London"
IV. Women as Entrepreneurs
9. Tia DeNora, "Embodiment and Opportunity: Bodily Capital, Reputation and Social Difference in Beethoven's Vienna Partnership"
10. Paula Gillett, "Entrepreneurial Women Musicians in Britain: 1790s to the early 1900s"
11. Jann Pasler, "Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation"

About the Author

William Weber, Professor of History at California State University, Long Beach, has written and edited several books on music history, culture, and class. He is an Associate of the William Andrews Clark Library.


"Weber is an excellent music historian and the book will please all readers interested in musical sociology... July 2005"

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