A detailed guide to the collaborative method developed by the acclaimed creators of The Laramie Project and Gross Indecency--destined to become a classic. A Vintage Original.
MOIS S KAUFMAN is the founder and artistic director of Tectonic
Theater Project, a theater company based in New York City. His 1997
play Gross Indecency- The Three Trials of Oscar Wilde was
named one of the best plays of the year by Time, Newsday,
the New York Post, The Advocate, and The New York
Times. With Tectonic he has directed works by Samuel Beckett,
Tennessee Williams, Benjamin Britten, and others, and created new
works including The Laramie Project and 33
Variations. He is the recipient of the 1997 Joe A. Callaway
Award for excellence in the craft of stage direction. In 2016,
President Obama awarded Kaufman a 2015 National Medal of Arts for
"his powerful contributions to American theater."
BARBARA PITTS MCADAMS was an actor/dramaturg for The Laramie Project, and has been a Tectonic teaching artist and Moment Work champion ever since. A California native who migrated to the Pacific Northwest, Barb graduated with distinction from the Clark Honors College at University of Oregon, under the mentorship of Dr. Robert Barton. A longtime resident of New York City, she helped launch New Georges, paving the way for women theater artists. She now splits her time between New York City and a lake cabin upstate.
"Tectonic Theater Project is a monumental and pioneering voice in American theater. Their work gracefully merges the political and the poetic to excavate truths about the human condition." --Lynn Nottage, Pulitzer Prize-winning playwright
"For theater professionals, this invaluable book offers boundless inspiration as it reinvents the way in which great plays are made. For theater enthusiasts, it offers thrilling, behind-the-scenes accounts of the birth of seminal works. . . . It is every bit as exciting as the indelible scripts the Tectonic Theater Project creates. --Doug Wright, Pulitzer Prize- and Tony Award-winning playwright and screenwriter "Tectonic Theater artists give us an insider's perspective to their uniquely diverse and imaginative Moment Work process. A powerful wake up call to artists." --Mark Bly, former Chair, MFA Playwriting Program Yale School of Drama "An important text for the field of devised theater-making, and theater-making in general. . . . This book invites us to interrogate how a play is made, piece by piece (or moment by moment), from initial research through to experimentation, sequencing, and composition." --Andrew Kircher, Director, Devised Theater Initiative, The Public Theater "Moment Work has become the foundation of my devising methodology: these practices elevate the theatre maker's ability to precisely articulate their artistic intentions, which makes for strong devisers as well as actors, directors, designers and playwrights." --Rich Brown, Professor of Acting and Movement, Western Washington University "I have been devising theater for over twenty years. . . . Encountering Moment Work was extremely refreshing because it introduces a crystal-clear vocabulary for creating and analyzing devised work. It should be considered the "ur" method of devising." --Dr. Rachel Bowditch, Associate Professor at Arizona State University and author of On the Edge of Utopia