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Mixing, Recording, and Producing Techniques of the Pros
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Table of Contents

1: Acoustic Ensemble Recording. 2: Bass. 3: Compression. 4: Cue Mixes. 5: Drum Tecking. 6: Drums. 7: Dynamic Signal Processing. 8: Field Recording and Film Sound. 9: Film Music. 10: Horns. 11: Keyboards. 12: Mastering. 13: Mixing. 14: Percussion. 15: Recording Piano. 16: Production Philosophy. 17: Production Sickness. 18: Radio and TV Mixes. 19: Radio Processing. 20: Room Tuning. 21: Recording Strings and Orchestras. 22: Surround Sound Recording and Mixing. 23: Vocals. Appendix: Expert Discography.

About the Author

Rick Clark is a veteran music journalist whose work has appeared in dozens of major publications, including Rolling Stone, Goldmine, Radio and Records, Mix, and other top magazines, as well as numerous album liner notes. Clark, an active voting member of NARAS since 1981, has produced a wide variety of projects for major and indie labels and is a music supervisor and music producer for film and television. He lives and works out of Santa Monica and Nashville.

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1: Acoustic Ensemble Recording. 2: Bass. 3: Compression. 4: Cue Mixes. 5: Drum Tecking. 6: Drums. 7: Dynamic Signal Processing. 8: Field Recording and Film Sound. 9: Film Music. 10: Horns. 11: Keyboards. 12: Mastering. 13: Mixing. 14: Percussion. 15: Recording Piano. 16: Production Philosophy. 17: Production Sickness. 18: Radio and TV Mixes. 19: Radio Processing. 20: Room Tuning. 21: Recording Strings and Orchestras. 22: Surround Sound Recording and Mixing. 23: Vocals. Appendix: Expert Discography.

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