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The Mirror of Magic
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Table of Contents

Note from the Publisher

FOREWORD

The Artist behind the Mirror of Magic
BY CELIA RABINOVITCH

PREFACE

The Emancipatory Power of Magic
BY GRAZINA SUBELYTE

THE ORIGINAL TEXT
THE MIRROR OF MAGIC
A History of Magic in the Western World

LIST OF ILLUSTRATIONS

INTRODUCTORY NOTE

MESOPOTAMIA

THE FORGETFUL GODS

DIVINATORY ARTS THE

MYSTERY OF STARS AND NUMBERS

THE TOWER OF BABEL

PERSIA

ZOROASTER

MAGIC ABOUT HAIR AND NAILS

CASTING OUT THE FLY DEMON

THE HEBREWS

JEHOVAH'S WARRIORS

MAGIC IN HOLY WRIT

EGYPT

THE SPHINX

MORTUARY MAGIC

JOURNEY TO THE UNDERWORLD

THE WORD

ISIS

GREECE

MAGIC IN PHILOSOPHICAL GARB

DREAMS, GHOSTS AND HEROES

OMENS, ORACLES AND ASTROLOGY

THE MYSTERIES OF ELEUSIS

GNOSTICISM

THE WAY TO BLESSEDNESS

THE GNOSTIC SECTS

THE ROMAN EMPIRE

MAGIC UNDER THE ROMAN EMPERORS

NEO-PLATONISM

JULIAN THE APOSTATE

THE RUIN OF PAGAN MAGIC

ALCHEMY

ORIGINS OF ALCHEMY

HERMES TRISMEGISTUS

HERMETICA

THE PRINCIPLES OF ALCHEMY AND THE PHILOSOPHERS' STONE

VAS INSIGNE ELECTIONIS

HERMETIC ENIGMAS

THE ALKAHEST

EARLY ATTACKS ON ALCHEMY

FAMOUS TRANSMUTATIONS

THE INHERITANCE OF THE ACCURSED

THE MIDDLE AGES

MAGICAL MISCELLANY IN PRE-ARABIC TIMES

THE ARABS

MAGICIANS OF THE MIDDLE AGES

ALBERTUS MAGNUS

ROGER BACON

THE DEVIL

THE PRINCIPLE OF EVIL

INFERNAL HELPERS

UNHOLY IMAGES

WITCHCRAFT

POSSESSIONS

THE SABBATH

THE DEVIL'S SHARE

THE WITCH

THE PURSUIT OF AN IDEAL

THE WITCH CONTROVERSY IN ENGLISH LITERATURE

DIABOLIC RITES

BLACK MAGIC

PORTAITS

THE MAGUS

PICO DELLA MIRANDOLA

TRITHEMIUS

AGRIPPA VON NETTESHEIM

PARACELSUS

NOSTRADAMUS

GUILLAUME POSTEL

GIAMBATTISTA DELLA PORTA

CABALA

CHRISTIAN CABALISTS AND THE JEWS

SECRETS OF THE BIBLE

MAGIC OF LETTERS

THE BOOK OF YETZIRAH

MAGICAL ARTS

THE WONDER CAVE

ASTROLOGY

DIVINATION BY MOLES

METOPOSCOPY

PHYSIOGNOMY

CHIROMANCY

THE TAROT

TAROT PIPS AND TRUMPS

THE JUGGLER

REFORMERS

THE ROSICRUCIANS

VALENTINE ANDREAE

SECRET SOCIETIES

THE CLASSICAL IDEAL

THE EIGHTEENTH CENTURY

REVOLT AGAINST REASON

VAMPIRES

MAGIC UNVEILED

MASONIC LODGES

THE COUNT OF SAINT-GERMAIN

EPILOGUE

CONCLUSION

NOTES

BIBLIOGRAPHIC RESUME

INDEX

About the Author

Kurt Seligmann (1900-1962) was a Swiss-American Surrealist painter and expert on magic, known for his extensive collection of rare books and his monumental role in the popularization of Surrealism in the United States. After the outbreak of World War II in 1939, he was the first European Surrealist to arrive in New York. After the war his work was exhibited widely and acquired by museums throughout the United States and Europe. He taught for many years at various colleges in New York City.

Reviews

"The Mirror of Magic is an exceptionally important work. Its influence on art cannot be underestimated, from surrealism moving forward. Capturing the visuality of the traditions as well as underlining their continuing relevance, this book belongs in every library of art. Seeing it back in print is hopefully a harbinger of things to come." * Jesse Bransford, associate professor of art at NYU Steinhardt *
"Kurt Seligmann's The Mirror of Magic is a wide-ranging and accomplished survey of significant magical beliefs and practitioners in both East and West, spanning from antiquity to the dawn of our modern, scientific era in the eighteenth century. At last restored to the sumptuous visual glory of its original edition, The Mirror of Magic wondrously reflects the myriad ways, seen and unseen, by which man seeks to engage and even control elements of the surrounding universe." * Michael Moynihan, coauthor of Lords of Chaos *
"As well as being a feast for the eyes, the book is a delight to read." * Arts and Antiques 2019 *
"Beautifully illustrated with images from the author's rare library, this collector's edition features all of the artwork--more than 250 images--from the original 1948 edition." * Clinton Chronicle, Inc. 2018 *
"The Mirror of Magic is the book our scholar-practitioners of magic need to read. It's like "The Encyclopedia of the Roots of Practically Everything," preceded in this collector's edition by a note from the publisher that Inner Traditions decided to preserve the book's layout, typography "and most important, all 250 of Seligman's illustrations from his rare and private collection" (p. iv). Read this marvelous book for yourself. Learn about historical magic and magicians. Study, for example, the forty-two illustrations in the section on alchemy and you'll learn to recognize all the common alchemical symbols. And there's a tiny bonus, too--the book comes with a red ribbon bookmark." * Barbara Ardinger, Ph.D., freelance editor and author of Pagan Every Day *
"There's so much more exciting stuff in this book that I couldn't possibly cover it all in this review. The Mirror of Magic is a book that I will go back and reread. It is also a book that has led me to research more of the history of magic, paganism, witchcraft, and even Judeo Christian beliefs." * Dawn Borries, PaganPages.org *
"This 1948 classic is a glorious synopsis of Western occult history, prepared by one the most well-known Swiss Surrealist painters of his time. The sheer number of classic illustrations and engravings is nearly worth the cover price alone, and Seligman does not merely show without telling. His descriptions and analyses of alchemical symbolism and mystical art trends are both insightful and clever. Seligman's book on a whole is a gem of historical magic, as beguiling now as it must have been when it was released 70 years ago." * The Witches' Almanac *
"At fifty American dollars, this edition of The Mirror of Magic will not be a cheap addition to anyone's bookcase; but at over five hundred pages, neither is it a small one. Also, brimming Folklore, 2019 with the captivating images of Seligmann's personal collection, this feels part book, part art gallery. An aesthetic as well as scholarly achievement, not to mention a significant stepping stone in the development of magic scholarship, this is a piece of history in itself." * Ceri Houlbrook, University of Hertfordshire, UK, The Folklore Society Reviews *

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