|Other Retailer||Price Checked Time||Their Price in NZD||Our Price|
|Amazon UK||yesterday||49.91||$37.45||You save $12.46|
|Amazon US||3 days ago||45||$37.45||You save $7.55|
GEORGE ELIOT (Mary Ann Evans Cross) was born on November 22, 1819 at Arbury Farm, Warwickshire, England. She received an ordinary education and, upon leaving school at the age of sixteen, embarked on a program of independent study to further her intellectual growth. In 1841 she moved with her father to Coventry, where the influences of "skeptics and rationalists" swayed her from an intense religious devoutness to an eventual break with the church. The death of her father in 1849 left her with a small legacy and the freedom to pursue her literary inclinations. In 1851 she became the assistant editor of the Westminster Review, a position she held for three years. In 1854 came the fated meeting with George Henry Lewes, the gifted editor of The Leader, who was to become her adviser and companion for the next twenty-four years. Her first book, Scenes of a Clerical Life (1858), was followed by Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), and Middlemarch (1872). The death of Lewes, in 1878, left her stricken and lonely. On May 6, 1880, she married John Cross, a friend of long standing, and after a brief illness she died on December 22 of that year, in London. JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine's "New Visual Artists." She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.
Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books Winner of the 2014 Type Directors Club Communication Design Award Praise for Penguin Drop Caps: "[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering." --Fast Company "Vibrant, minimalist new typographic covers.... Bonus points for the heartening gender balance of the initial selections." --Maria Popova, Brain Pickings "The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they're beautiful objects. Paul Buckley and Jessica Hische's fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen's A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte's B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf." --Rex Bonomelli, The New York Times "Drool-inducing." --Flavorwire "Classic reads in stunning covers--your book club will be dying." --Redbook