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"When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin." With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, "The Metamorphosis." It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing -- though absurdly comic -- meditation on human feelings of inadequecy, guilt, and isolation, "The Metamorphosis" has taken its place as one of the mosst widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."
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Table of Contents

Conversation with the supplicant -- Meditation -- The judgment -- The metamorphosis -- A country doctor -- In the penal colony -- A hunger artist.

About the Author

FRANZ KAFKA was born in 1883 in Prague, where he lived most of his life. During his lifetime, he published only a few short stories, including "The Metamorphosis," "The Judgment," and "The Stoker." He died in 1924, before completing any of his full-length novels. At the end of his life, Kafka asked his lifelong friend and literary executor Max Brod to burn all his unpublished work. Brod overrode those wishes.

Reviews

"Kafka's survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: 'With their posterior legs they were still glued to their father's Jewishness and with their wavering anterior legs they found no new ground.' There is a sense in which Kafka's Jewish question ('What have I in common with Jews?') has become everybody's question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? These days we all find our anterior legs flailing before us. We're all insects, all Ungeziefer, now." --Zadie Smith "Kafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafka's readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptions--until one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable." --Hannah Arendt -Kafka's survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: 'With their posterior legs they were still glued to their father's Jewishness and with their wavering anterior legs they found no new ground.' There is a sense in which Kafka's Jewish question ('What have I in common with Jews?') has become everybody's question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? These days we all find our anterior legs flailing before us. We're all insects, all Ungeziefer, now.- --Zadie Smith -Kafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafka's readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptions--until one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable.- --Hannah Arendt Kafka s survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: With their posterior legs they were still glued to their father s Jewishness and with their wavering anterior legs they found no new ground. There is a sense in which Kafka s Jewish question ( What have I in common with Jews? ) has become everybody s question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? These days we all find our anterior legs flailing before us. We re all insects, all Ungeziefer, now. Zadie Smith Kafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafka s readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptions until one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable. Hannah Arendt" Kafka s survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: With their posterior legs they were still glued to their father s Jewishness and with their wavering anterior legs they found no new ground. There is a sense in which Kafka s Jewish question ( What have I in common with Jews? ) has become everybody s question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? These days we all find our anterior legs flailing before us. We re all insects, all "Ungeziefer, "now. Zadie Smith Kafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafka s readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptions until one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable. Hannah Arendt" "Kafka's survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: 'With their posterior legs they were still glued to their father's Jewishness and with their wavering anterior legs they found no new ground.' There is a sense in which Kafka's Jewish question ('What have I in common with Jews?') has become everybody's question, Jewish alienation the template for all our doubts. What is Muslimness? What is femaleness? What is Polishness? These days we all find our anterior legs flailing before us. We're all insects, all "Ungeziefer, "now." --Zadie Smith "Kafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafka's readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptions--until one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable." --Hannah Arendt

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