About the Author

DASHIELL SAMUEL HAMMETT was born in St. Mary’s County, Maryland. He grew up in Philadelphia and Baltimore. Hammett left school at the age of fourteen and held several kinds of jobs thereafter—messenger boy, newsboy, clerk, operator, and stevedore, finally becoming an operative for Pinkerton’s Detective Agency. Sleuthing suited young Hammett, but World War I intervened, interrupting his work and injuring his health. When Sergeant Hammett was discharged from the last of several hospitals, he resumed detective work. He soon turned to writing, and in the late 1920s Hammett became the unquestioned master of detective-story fiction in America. In The Maltese Falcon (1930) he first introduced his famous private eye, Sam Spade. The Thin Man (1932) offered another immortal sleuth, Nick Charles. Red Harvest (1929), The Dain Curse (1929), and The Glass Key (1931) are among his most successful novels. During World War II, Hammett again served as sergeant in the Army, this time for more than two years, most of which he spent in the Aleutians. Hammett’s later life was marked in part by ill health, alcoholism, a period of imprisonment related to his alleged membership in the Communist Party, and by his long-time companion, the author Lillian Hellman, with whom he had a very volatile relationship. His attempt at autobiographical fiction survives in the story “Tulip,” which is contained in the posthumous collection The Big Knockover (1966, edited by Lillian Hellman). Another volume of his stories, The Continental Op (1974, edited by Stephen Marcus), introduced the final Hammett character: the “Op,” a nameless detective (or “operative”) who displays little of his personality, making him a classic tough guy in the hard-boiled mold—a bit like Hammett himself.

Reviews

“Dashiell Hammett ... is a master of the detective novel, yes, but also one hell of a writer.” —The Boston Globe

“The Maltese Falcon is not only probably the best detective story we have ever read, it is an exceedingly well written novel.” —The Times Literary Supplement (London)

“Hammett’s prose [is] clean and entirely unique. His characters [are] as sharply and economically defined as any in American fiction.” —The New York Times

"Dashiell Hammett ... is a master of the detective novel, yes, but also one hell of a writer." -The Boston Globe

"The Maltese Falcon is not only probably the best detective story we have ever read, it is an exceedingly well written novel." -The Times Literary Supplement (London)

"Hammett's prose [is] clean and entirely unique. His characters [are] as sharply and economically defined as any in American fiction." -The New York Times

The classic noir story is given new life with this full-cast adaptation. When a damsel in distress steps into Sam Spade's office spinning a yarn of a kidnapped sister and shady older man, Spade is doubtful but intrigued. Soon, he's pulled into an international hunt for a bird made of gold that leaves a trail of dead bodies, including his partner. Michael Madsen initially comes on a bit strong as Spade with a tone and growl that goes beyond previous renditions, but by the end, he has appreciatively mellowed. The supporting cast (including Sandra Oh and Edward Herrmann) are fine but unmemorable. The sound effects fading in and out of the production prove so subtle that it's often hard to determine if one is hearing them from the story or from the real world. The occasional musical score is reminiscent of old-time radio and used sparingly. A Vintage paperback. (Dec.) Copyright 2009 Reed Business Information.