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Love to Langston
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About the Author

Tony Medina is the author of six beloved books for young readers, as well as multiple volumes of poetry for adults. A Pushcart Prize-nominated poet and a professor of creative writing at Howard University, Dr. Medina is a two-time winner of the Paterson Prize for Books for Young People. He lives in the Washington, DC area.

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Gr 3-6-In this collection of original poems, Medina honors the groundbreaking poet of the Harlem Renaissance. The story of Hughes's life unfolds from his early childhood ("Little Boy Blues") to his later days ("Sometimes Life Ain't Always a Hoot"). The twists that the poet's life took, the people (both good and bad) whom he met, and the important places he visited are vividly brought to life. Some of the poems are based on the subject's own work; "Grandma's Stories," for example, is modeled on his "Aunt Sue's Stories." Medina's words stand on their own while they honor the tradition established by Hughes. Detailed notes tell the story behind each selection. Christie's full-page, vibrant illustrations with broad expanses of bold, flat colors and stylized figures invite readers into the world of sharecroppers, ocean liners, and libraries. This book has many uses: pair it with Floyd Cooper's Coming Home (Philomel, 1994) to introduce the poet. Or, combine it with J. Patrick Lewis's Freedom Like Sunlight (Creative, 2000) or Jacob Lawrence's Harriet and the Promised Land (S & S, 1993) for a unit on poetic biographies. A stunning collaboration.-Bina Williams, Bridgeport Public Library, CT Copyright 2001 Cahners Business Information.

Medina's (DeShawn Days) introduction states that his book "represents one Harlem poet's homage to another," and this compilation exudes affection for the Harlem Renaissance muse. The events of Langston Hughes's life inspire 14 impressionistic, free-verse poems. Some entries might be difficult for youngsters to interpret without referring to the author's concluding notes, which succinctly explain the relevance of each poem. In "First Grade," for instance, the narrator laments that "The teacher makes me sit in the corner in the last row far away from the other kids" and "tells one kid not to eat licorice or he'll turn black like me." The notes explain that when Hughes attended first grade in Topeka, Kans., in 1907, his teacher "took out her racist attitudes on Langston." Hughes's love of books, his disdain for his father and the inspiration he gleaned from Harlem and from jazz are among the topics of subsequent poems. Though Medina incorporates some of Hughes's style (refrains such as "Libraries/ are a special place/ for me") and layout, few of the poems build to an emotional climax. The content of the poems outweighs its impact. Still, Medina's solid research and accessible presentation may well lead readers to the work of Hughes himself. Christie contributes stylized acrylics, but unlike his artwork in Only Passing Through, the paintings here do not reflect the subject's many moods. A standout is the spread "Leaving Harlem for Africa," which shows the poet bound for unexplored shores. Ages 6-up. (Feb.) Copyright 2001 Cahners Business Information.

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