Thomas Crow is the Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University.
'Thomas Crow's study of American Pop Art opens with the intriguing
premise that the movement emerged out of the American folk revivial
of the 1930's and 40's, primarily felt in music but later
percolating into art in the Robert Rauschenberg and Jasper
* Apollo Magazine *
'...you won't see Pop the same way after The Long March of Pop. As seen here it's murkier, richer, more ragged, and evidently the art that a nation congenitally suspicious of the highfalutin was destined to create.'-Martin Herbert, Art Review.
-- Martin Herbert * Art Review *