WINNER OF THE 2013 COSTA NOVEL AWARD- the acclaimed number one bestselling novel about a woman who lives her life over and over again through the most turbulent events of the 20th century, including the London Blitz.
Winner of the Costa Novel Award and the South Bank Sky Arts Literature Prize, and shortlisted for the Women's Prize, Kate Atkinson's acclaimed new novel, about a woman who lives her life over and over again through the most turbulent events of the 20th century, including the London Blitz.
KATE ATKINSON is one of the world's foremost novelists. She won the
Whitbread Book of the Year prize with her first novel, Behind the
Scenes at the Museum. Life After Life, an acclaimed BBC TV series,
won several prizes including the Costa Novel Award, as did A God in
Ruins. Two further historical novels - Transcription and Shrines of
Gaiety - were also Sunday Times bestsellers. She has published two
critically acclaimed collections of short stories- Not the End of
the World and Normal Rules Don't Apply.
Her bestselling literary crime novels featuring former detective
Jackson Brodie, Case Histories, One Good Turn, When Will There Be
Good News? and Started Early, Took My Dog, became a BBC television
series starring Jason Isaacs. Jackson Brodie later returned in the
novel Big Sky and the most recent, Death at the Sign of the Rook,
was a number one bestseller.
Kate Atkinson was awarded an MBE in 2011 and is a Fellow of the
Royal Society of Literature.
For information about Kate's books, including her Jackson Brodie
series, visit www.kateatkinson.co.uk
Kate Atkinson’s new novel is a box of delights. Ingenious in
construction, indefatigably entertaining, it grips the reader’s
imagination on the first page and never lets go. If you wish to be
moved and astonished, read it. And if you want to give a dazzling
present, buy it for your friends.
*Hilary Mantel*
There aren't enough breathless adjectives to describe Life After
Life: Dazzling, witty, moving, joyful, mournful, profound. Wildly
inventive, deeply felt. Hilarious. Humane. Simply put: it's ONE OF
THE BEST NOVELS I'VE READ THIS CENTURY.
*Gillian Flynn, no1 New York Times bestselling author of Gone Girl
and Sharp Objects*
Truly brilliant...Think of Audrey Niffenegger's The TimeTraveler's
Wife or David Nicholl's One Day...[or] Martin Amis's Times
Arrow...This is a rare book that you want, Ursula-like, to start
again the minute you have finished.
*The Times*
Absolutely brilliant...it reminded me a bit of her first book
Behind the Scenes at the Museum, which is one of my most favourite
books ever.
*Marian Keyes (newsletter)*
What makes Atkinson an exceptional writer...is that she does so
with an emotional delicacy and understanding that transcend
experiment or playfulness. Life After Life gives us a heroine whose
fictional underpinning is permanently exposed, whose artificial
status is never in doubt; and yet one who feels painfully, horribly
real to us.
*Guardian*
Merging family saga with a fluid sense of time and an
extraordinarily vivid sense of history at its most human level. A
dizzying and dazzling tour de force.
*Daily Mail*
Deliriously inventive, sharply imagined and ultimately
affecting...Atkinson has written something that amounts to so much
more than the sum of its (very many) parts. It almost seems to
imply that there are new and mysterious things to feel and say
about the nature of life and death, the passing of time, fate and
possibility.. . [a]magnificently tender and humane novel.
*Observer*
Brilliant...more than just a terrific story about the impact of one
existence on another. Atkinson can knock the socks off any rival in
terms of skill and style...The tour de force of the book, though,
is Atkinson's recreation of the Blitz...unputdownable
*Evening Standard*
Stunned with tiredness thanks to Kate Atkinson's LIFE AFTER LIFE.
Couldn't stop reading. Terrific novel, may be her best yet. So
enthralling, so well written, so beautifully constructed. Really, I
can't fault it. Will be one of my books of the year.
*Val McDermid (Twitter)*
World events, reimagined characters and second chances told with
warmth, wit and consummate skill.
*Woman & Home*
Startlingly brilliant...endlessly rich
*Reader's Digest*
Life After Life is to be applauded for its inventiveness, and for
reminding us of lives vanished without trace or memory in the waste
and monstrosity of war.
*Literary Review*
Atkinson, like Audrey Niffenegger before her with the similarly
ambitious The Time Traveller's Wife, is a confident enough writer
to bear her high concept along well above water level
*Scotsman*
Atkinson's great skill is in portraying the exquisite tapestry of
[life] with warmth, humour and immense humanity.
*Yorkshire Post*
one of the most innovative, pacy plots of any recent novel
*Psychologies Magazine*
Kate Atkinson’s new novel is a box of delights. Ingenious in
construction, indefatigably entertaining, it grips the reader’s
imagination on the first page and never lets go. If you wish to be
moved and astonished, read it. And if you want to give a dazzling
present, buy it for your friends.
*Hilary Mantel*
There aren't enough breathless adjectives to describe Life After
Life: Dazzling, witty, moving, joyful, mournful, profound. Wildly
inventive, deeply felt. Hilarious. Humane.
Simply put: it's ONE OF THE BEST NOVELS I'VE READ THIS CENTURY.
*Gillian Flynn,no1 New York Times author of Gone Girl, and Sharp
Objects*
Truly brilliant...Think of Audrey Niffenegger's The TimeTraveler's
Wife or David Nicholl's One Day...[or] Martin Amis's Times Arrow,
his rewinding of the Holocaust that was shortlisted for the Booker.
Life After Life should have the popular success of the former and
deserves to win prizes, too. It has that kind of thrill to it, of
an already much-loved novelist taking a leap, and breaking through
to the next level...This is a rare book that you want, Ursula-like,
to start again the minute you have finished.
*The Times*
What makes Atkinson an exceptional writer – and this is her most
ambitious and most gripping work to date – is that she does so with
an emotional delicacy and understanding that transcend experiment
or playfulness. Life After Life gives us a heroine whose fictional
underpinning is permanently exposed, whose artificial status is
never in doubt; and yet one who feels painfully, horribly real to
us.
*Guardian*
Merging family saga with a fluid sense of time and an
extraordinarily vivid sense of history at its most human level. A
dizzying and dazzling tour de force.
*Daily Mail*
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