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"A remarkable tour through the 'archive of laughter'; Anca Parvulescu analyzes a stunning array of texts, concepts, and anecdotes in order to demonstrate the disturbingly nonhuman element of this most human of activities. Parvulescu demonstrates, in her elegant readings and suggestive meditations, that it is not the subject who laughs, but who is laughed. Indeed, her book suggests a revised formulation of the cogito: 'It laughs, therefore I am not." Kenneth Reinhard, Associate Professor of English and Comparative Literature, Director, Program in Experimental Critical Theory, UCLA "In her Laughter: Notes on a Passion, Anca Parvulescu offers a unique answer to the great riddle of the drives in psychoanalytic theory. Eros and Thanatos, life drive and death drive, are in some sense shown to have their common ground in that uncanny convulsion of the body that erupts in a burst of laughter. For Parvulescu, the human capacity to 'die laughing' -- a capacity whose great master was, as the author argues, Georges Bataille -- turns out to be the key to new possibilities of human freedom and new kinds of community. The elaboration of this discovery gathers together its own remarkable community of laughers from the Bible, ancient, early modern, and modern philosophy, the sciences of the passions, African-American literature, feminist theory, and the history of cinema. I know of no book that so rigorously and delightfully gets us to take laughter seriously." Eric L. Santner, author of The Royal Remains: The People's Two Bodies and the Endgames of Sovereignty

About the Author

Anca Parvulescu is Assistant Professor in the English Department and the Interdisciplinary Project in the Humanities at Washington University in St. Louis. Mladen Dolar taught for 20 years in the Department of Philosophy at the University of Ljubljana, Slovenia, where he now works as a Senior Research Fellow. He is the author of a number of books, most recently (with Slavoj Zizek) Opera's Second Death. Alenka Zupancic, a Slovenian psychoanalytic theorist and philosopher, teaches at the European Graduate School and is a researcher at the Institute of Philosophy at the Slovenian Academy of Sciences and the Arts. She is the author of The Shortest Shadow: Nietzsche's Philosophy of the Two and The Odd One In: On Comedy, both in the Short Circuits series, published by the MIT Press. Slavoj Zizek, a philosopher and cultural critic, is Senior Researcher in the Department of Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and International Director of the Birkbeck Institute for the Humanities at the University of London. He is the author of more than thirty books, including Looking Awry: An Introduction to Jacques Lacan through Popular Culture, The Puppet and the Dwarf: The Perverse Core of Christianity, The Parallax View, The Monstrosity of Christ: Paradox or Dialectic (with John Milbank), and Zizek's Jokes (Did you hear the one about Hegel and negation?), these five published by the MIT Press.


An intellectual short circuit, and it deserves the careful attention of a broad audience, not just students of 'laughter'. -Choice
What's remarkable about Paravulescu's brief history is its fresh and eclectic documentation, and this erudite trait continues throughout the book. The bulk of the work focuses on modernism and the laughs in the African-American tradition (Ellison), the philosophical avant-gardes and their focus on the experience of laughter (Bataille), feminism and the location of Medusa's laugh (Cixous), and film from photograph to cinema and the laugh of culture industry (Adorno). Each chapter includes the context and background necessary for the uninitiated before moving into subtle analyses that allow each laugh to reverberate on the page. No summary, regardless of its completeness, can reveal the impressiveness of Parvulescu's study. -Journal of Modern Literature * Reviews *
An intellectual short circuit, and it deserves the careful attention of a broad audience, not just students of 'laughter'. -Choice * Reviews *

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