In a musical career spanning five decades, from Small Talk at 125th and Lenox to I'm New Here, Gil Scott-Heron (1949-2011) released twenty albums and many seminal singles including 'The Revolution Will Not Be Televised,' 'Home Is Where the Hatred Is,' 'Winter in America,' 'B Movie,' 'Johannesburg,' and 'Lady Day and John Coltrane.' He was also the author of three previous books: two novels, The Vulture and The Nigger Factory and Now and Then: The Poems of Gil Scott- Heron.
A marvellous documentary of black America and life lived in the
raw
* * Spectator * *
Engaging and immensely human . . . Much like his poetry,
Scott-Heron's style is spare and effective, offering up jagged
observations on fame, friendship and political and racial
injustice
* * Independent on Sunday * *
This memoir reads a bit like Langston Hughes filtered through the
scratchy and electrified sensibilities of John Lee Hooker, Dick
Gregory and Spike Lee . . . about his own music, he could not be
more simple or elegant. "I was trying to get people who listened to
me," he writes, "to realise that they were not alone."
* * New York Times * *
One of the great pioneers of late-twentieth-century music.
* * Independent * *
Scott-Heron is such a fine writer . . . As readers and fans alike,
we are left to mourn the passing of surely, the least likely pop
star ever, one with a truly brilliant mind.
* * Sunday Times * *
A delight, full of with and alliteration and studded with passages
of verse . . . it is a heartbreaking read as the last testament of
a much-loved man, but it should certainly be read.
* * Herald * *
Gil Scott-Heron is timeless.
* * New York Times * *
An impressively lucid book . . . both candid and guarded . . . his
final admissions are heart-rending.
* * Metro * *
For more than two decades, [Gil Scott-Heron] has been committed to
examining those facts of the human condition that most of us would
rather forget . . . he is an artist who has crafted witty but
crucial insights for Black America.
* * Washington Post * *
The formative incidents of Scott-Heron's life are placed in their
cultural and historical contexts with great delicacy and
precision.
* * Sunday Telegraph * *
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