JHUMPA LAHIRI is the author of Interpreter of Maladies, awarded the Pulitzer Prize and the PEN/Hemingway Award; The Namesake; and Unaccustomed Earth, a #1 New York Times bestseller and a New York Times Book Review Best Book of the Year. A recipient of a Guggenheim Fellowship, she was inducted into the American Academy of Arts and Letters in 2012. She lives in Brooklyn, New York, with her husband and 2 children.
"A subtle but devastating tale of two brothers coming of age in 1960s Calcutta . . . The themes of this beautifully written novel may be grand--love, revolution, desertion--but it's an intimate tale that offers no easy answers." --"Parade" "Compelling . . . beautiful. A family saga that finds its roots in a 1967 Calcutta rebellion [but] extends its reach to present-day Rhode Island. The long-awaited follow-up to her ravishing first novel, "The Namesake, "justifies its lengthy gestation. The story develops like a rip in a piece of fabric that keeps tearing: a gripping meditation on absence, alienation and loss . . . Exquisitely written and deeply moving." --Sophie Harris, "Time Out New York" "It's been a few weeks since I finished "The Lowland, "and my head and heart are still with the book. The novel moves back and forth in time and takes on different points of view, which allow readers to see how anger and betrayal redound through the generations . . . "The Lowland" dwells in complex territory [and its] insights point toward an unspoken question: Is it irresponsible--or even criminal--to risk your life for a political cause that may not be realized in your lifetime? "The Lowland" is a stylistic achievement and marks a shift in Lahiri's writing. As always, the novel is full of sharp insights about marriage and parenthood, politics and commitment. It is the kind of book that stays with you long after you finish it." --Julie Hakim Azzam, "Pittsburgh Post-Gazette" "Lahiri's new novel begins in the manner of Flaubert . . . It is her big novel: possessed of historical moment and reach. But for the most part, history is only the element in which the characters' lives unfold, and this allows Lahiri to exercise her own special talent. She is capable of great elegance, and here, her subject is the failure of relationships between characters, and the ways in which people hold back from living their lives . . . Lahiri writes with great emotional precis