11 Counting Backwards 12 The Underworld 13 Shutting the Gate 14 In Praise of the Piano 15 Re-opening the old mines 16 Inside the Wave 18 Odysseus to Elpenor 20 Plane tree outside Ward 78 21 The shaft 22 Leave the door open 23 My life's stem was cut 24 The Bare Leg 26 The Place of Ordinary Souls 27 My daughter as Penelope 29 The Lamplighter 30 The Halt 31 Bluebell Hollows 32 A Loose Curl 33 Festival of stone 34 A Bit of Love 35 Winter Balcony with Dunnocks 36 Mimosa 37 Nightfall in the IKEA Kitchen 39 The Duration 41 At the Spit 42 Terra Incognita 43 Four cormorants, one swan 44 Girl in the Blue Pool 45 February 12th 1994 46 What shall I do for my sister in the day she shall be spoken for? 47 In Secret 48 All the breaths of your life 49 Her children look for her 50 Cliffs of Fall 51 Five Versions from Catullus 51 1 Through Babel of Nations 52 2 Undone 53 3 Sirmio 54 4 Dedication 55 5 Sparrow 56 Rim 57 On looking through the handle of a cup 58 Ten Books 60 Subtraction 61 My people 62 September Rain
Costa Book of the Year
Helen Dunmore (1952-2017) was a poet, novelist, short story and children's writer. Her poetry books have been given the Poetry Book Society Choice and Recommendations, Cardiff International Poetry Prize, Alice Hunt Bartlett Award and Signal Poetry Award, and Bestiary was shortlisted for the T.S. Eliot Prize. Her poem 'The Malarkey' won the 2010 National Poetry Competition. Her latest Bloodaxe poetry titles are Out of the Blue: Poems 1975-2001 (2001), Glad of These Times (2007), The Malarkey (2012) and Inside the Wave (out in April 2017). She has published twelve novels and three books of short stories with Penguin, including A Spell of Winter (1995), winner of the Orange Prize for Fiction Talking to the Dead (1996), The Siege (2001), Mourning Ruby (2003), House of Orphans (2006) and The Betrayal (2010), as well as The Greatcoat (2012) with Hammer, and The Lie (2014), Exposure (2016) and Bridcage Walk (2017) with Hutchinson. She was a Fellow of the Royal Society of Literature, and lived in Bristol.
'This traffic between the everyday and mortality requires a perfect control of tone, neither sententious nor sentimental in this familiar setting... In its uninsistent but authoritative way, The Malarkey is a condition-of-England book, driven by a concern for those who have little purchase on their own lives... The Malarkey is Helen Dunmore's best collection, the work of a grown-up for grown-ups who will remember what in the nature of things they've had to lose and what nevertheless they seek to celebrate' - Sean O'Brien, Guardian; 'What is wonderful is the unusual way her steadiness as a writer serves as a foil to the mysterious. She prefers to show, not tell...The passing of time is crucial in this collection and especially its most violent trick of making years disappear in a moment...a collection filled with extraordinary, incorporeal moments and with vanishing acts...The personal poems are superb and anything but self-indulgent' - Kate Kellaway, The Observer; 'Her latest collection is a clear-eyed, sometimes funny, sometimes sad, meditation on time past and people lost...a superbly structured collection in which poems echo and answer each other' - Suzi Feay, Independent on Sunday.