Tom Spanbauer was born in a trunk in the Princess Theater in
Pocatello, Idaho. Not really. The Princess Theater wasn t anymore
by the time he came on the scene. He went to Catholic School until
the eighth grade and then to Pocatello High School, then graduated
from the newly finished Highland High. Five years at Idaho State
University and he received a BA in English with a minor in German.
In 1969 Tom went into the Peace Corps and he spent two years in
Kenya, East Africa. Then came the 70s and the Married Years in
Boise, Idaho. In 1978, Tom set himself free and moved to New
England, then Key West, the finally settled in New York City for
seven years. Tom, a survivor of AIDS, has lived and worked in
Portland for fifteen years where he teaches Dangerous Writing. His
novels include Faraway Places, The Man Who Fell In Love With The
Moon, In The City of Shy Hunters, and Now Is The Hour.
"
I Loved You More Spanbauer relays from the start that Hank succumbs
to cancer before he and Ben can make up the rift that springs from
Ben's jealousy, so once the destruction unfolds in the final act,
it happens at a riveting, fast pace. By turns poignant and funny,
Spanbauer's story rings true at every turn. Publishers Weekly
Starred Review The fireworks that ensue between these strong-willed
people over the course of book--not to mention the raw psychic
scars and corrosive feelings that are ever-prevalent--are gripping.
Spanbauer's talent is to collide all emotions against one another,
quite often on the same page and sometimes in the same
paragraph.--Christopher Carbone, Kirkus Reviews Spanbauer simply
unpacks imagery, events, and dialogue without judgment, allowing
the reader to come to their own conclusions. If anything, I Loved
You More provides an empathic view of bisexual relationships as the
most natural in the world, perhaps the most generous expression of
love and shared strength for the survival of humanity.--Rachel
Wexelbaum, Lambda Literary Tom Spanbauer, gifted anatomist of messy
emotions and rangy sexuality, returns with I Loved You
More.--Elissa Schappell, Vanity Fair A masterful novel of what
becomes of us long after we've "come of age" and done all the brave
things we thought would save us. Tom Spanbauer's pages pulse with
life in all its messy beauty.
--Ariel Gore, Publisher of Hip Mama Magazine and author of How to
Become a Famous Writer Before You're Dead: Your Words in Print and
Your Name in Lights Intelligence, wit, generosity, love, wisdom,
insight, humility, guts, heart-crushing truth and spirit-lifting
grace--it's all there in I Loved You More. This is Tom Spanbauer's
wrenching and beautiful masterpiece.
--Cheryl Strayed, Wild: From Lost to Found on the Pacific Crest
Trail A great read, I Loved You More is a brutal and beautiful book
of love, sex, and friendship that begins in the impossible but
totally mesmerizing decade of the 1980s and spans the next twenty
years.
--Sam Adams, Former Mayor of Portland, Oregon Tom Spanbauer's I
Loved You More is the most important book on sexuality, love, and
the low down of relationships that I have ever read. The brilliant
language is an epic ballad so deeply rendered it killed me and
resurrected me a page at a time. This book is not a love story. It
guts the heart of the cliché love story and hands it back to you,
beating. Love is the endless falling.
--Lidia Yuknavitch, author of Dora: A Headcase Faraway Places
The thing about Tom Spanbauer is--he is the real deal. [Faraway
Places] is masterly - a near perfect book. The story is hypnotic,
mesmerizing, delicately brilliant - and so well made. While you are
lulled by the language and the characters, the storyline builds and
then like a well timed firework explodes - surprising, enthralling,
captivating.
-- A.M. Homes, Author of May We Be Forgiven A taut, brutal
narrative ... that comes to hypnotize, shimmering like the
brilliant sun on the alfalfa fields.
--The New York Times Book Review Forceful and moving ... Spanbauer
tells his short, brutal story with delicacy and deep respect for
place and character.
--Publishers Weekly No magical realism. No myth or legend. No
Chinook winds. Just a man and his life and what it meant to him.
The bad parts and the good parts, and what those parts have
assembled. [I Loved You More]is beautiful and brilliant and every
other positive adjective I can rain down upon it.--Rob Hart, Lit
Reactor It's a classic triangle and it unfolds with all the wit,
sexual candor, and humility that Spanbauer can summon. All his
novels, and this one in particular, embody the advice a rock critic
once gave his young protégé "The only true currency in this
bankrupt world is what we share with someone else when we're
uncool."--Angie Jabine, The Oregonian I Loved You More is the most
personal book we've seen yet from an author who's important to so
many of us. It reads like the deliberate unpacking of one man's
personal mythology - self-delusion and doubt and vanity and anger
and lust and all the bad parts, along with the good.--Alison
Hallett, The Portland Mercury While Shakespeare offered us
cross-dressing as a way to push beyond the binary notion of love,
Cunningham and now Spanbauer have given us a more complex view of
human sexuality, and what it means to really love someone.--Melissa
Duclos, Book Trib Portland author Tom Spanbauer could be considered
responsible for some of the best and most widely recognized
contemporary writing to come out of the Pacific Northwest, both in
his own acclaimed novels like Faraway Places and Now Is the Hour as
well as from the authors who have emerged from the writing group he
founded, like Chuck Palahniuk, Chelsea Cain and Cheryl Strayed.
Spanbauer's fifth novel and newest release, I Loved You More,
follows the themes of his previous work by examining the heartbreak
of relationships and deeper issues of sexuality.--Penelope Bass,
The Willamette Week I Loved You More is very right now, and yet
it's also timeless. I thought of Hemingway's unfinished novel,
"Garden of Eden" -- a book about a young married couple who bring
another woman into their relationship, and before long the marriage
is in pieces - as I read Tom's book...It's a hell of a
book.--Michael Goldberg, Days of the Wild Crazy I Loved You More is
breathtaking for its audacity. Spanbauer is unflinching as he looks
at physical need and carnal desire...He certainly does plunge into
territory that many writers would not dare approach. And while he
runs the risk of having readers interpret his work as
exhibitionism, Spanbauer probably would argue it would be more
outrageous still not to acknowledge that such complexities exist
and deserve to be considered.--Barbara Lloyd McMichael, The Seattle
Times [I Loved You More] is the sort of lifelong story of adoration
and refusal and unrequited love that John Irving made his fortune
on, but it's better than that, because it's delivered in
Spanbauer's gorgeous voice.--Paul Constant, The Stranger I Loved
You More is about the power of words. There are many passages in
the novel that achieve dizzying heights of unabashed beauty and
lyricism.--Sally Hessney, A&U: American's AIDS Magazine At
Elliott Bay Book Co. in Seattle last month, Spanbauer treated a
packed house to a portion of I Loved You More that serves as an
overture to its torrid relationships. Closing the book, he took a
moment to regain himself before taking questions. He said, "People
ask me why I write, and I tell them it's because I can't cry and
speak at the same time."--Dave Wheeler, Shelf Awareness Feelings
are complex, and love is never really just love, and Grunewald (and
by default to some degree, Spanbauer), realizes this. There is a
lot to love about this book--Matty Byloos, Nailed Magazine Ben
Grunewald is an outspoken character whom readers will fall in love
with.Spanbauer has crafted a meticulously conceived and executed
novel brimming with heart, soul, and the unique kind of affections
found in both platonic and romantic love.--Jim Piechorta, Bay Area
Reporter This is a book about taking your whole life to be able to
tell your own love story--not the one you are supposed to have, but
the one that is yours--and then telling it as truthfully as
possible.--Valerie Stivers, HTMLGIANT The Man Who Fell in Love with
the Moon
The miracle of this novel it that it obliges us to rethink our
whole idea of narration and history and myth. Tom Spanbauer's wild
West is the hurly-burly of the mind. He takes us into territories
where few of us would ever dare to go. -- The New York Times Book
Review Haunting and earthy, this deeply felt tale of love and
loss... Spanbauer fuses raunchy dialogue, pathos, local color,
heartbreak and a serious investigation of racism in this stunning
narrative.
-- Publishers Weekly Gender and racial lines are bent out of shape
in this tale of turn-of-the-century Idaho spun by a youth who is
part Indian, not quite wholly homosexual, and in the grip of a
powerful imagination. Spanbauer creates a pansexual West that John
Wayne wouldn't have recognized.
-- Kirkus Reviews A visceral, sprawling tragic-comidy... The Man
Who Fell in Love with the Moon is equal parts bizarre
Bildungsroman, raucous picaresque, and hard-driving wild-West
yarn.
-- New York Magazine A masterful plot... Delightfully unpredictable
and compelling.
-- Library Journal Every once in a while a reviewer comes across a
book that seems so startlingly original and true that it redeems
everything: art, life, the human spirit, a reviewer's job... Tom
Spanbauer's novel The Man Who Fell in Love with the Moon is such a
book.
-- Willamette Week In The City of Shy Hunters
An expertly drawn, starkly authentic, early-1980s Manhattan
provides the setting for this sprawling novel by Spanbauer.
Spanbauer's rapid-fire narration and clipped sentences generate a
surprising amount of tension and gritty emotion, as does his
vibrant, dead-on dialogue and keen sense of place. This is a big,
brazen, histrionic work of fiction, one that pays respectable, if
unsentimental, homage to a devastating period in gay history.
-- Publishers Weekly Unlike other "early AIDS" novels, this one
acknowledges that AIDS touches all classes, races, religions, and
sexual orientations. Excellent characters (real New Yorkers), great
writing, and a new twist on an over-used plot recommend this book
for most libraries, though some readers might want a more
conventional ending.
-- Library Journal A master narrator and stylist... In the City of
Shy Hunters is so finely crafted, Spanbauer's characters so true to
life, the New York City he remembers from the early days of the
plague so exactly captures in its "unrelenting" mess and glory,
you'll think you've been reading a modernist classic.
-- Peter Kurth, Salon.com Spanbauer's genius resides even in the
asides... teas[ing] out the genuine complexity of human love.
-- Thomas McGonigle, The Washington Post In the City of Shy Hunters
has the earmarks of a literary landmark. ... Its importance and
originality are unmistakable.
-- Laura Demanski, The Baltimore Sun Ambitious and compelling... a
mixture of the ghastly, the hilariousism and the curiously
touching.
-- John Hartl, The Seattle Times In the City of Shy Hunters is a
chronicle of deaths foretold, a journal of the plague years when
AIDS swept through the city and destroyed a culture that had barely
taken hold.
-- Jeff Baker, The Oregonian Tom Spanbauer breaks all the rules in
his new novel In the City of Shy Hunters - rules of grammar, rules
of social propriety, rules of sanctioned sexuality, rules that keep
a novelist at a desk, on a page, in the real world. -- M. L. Lyke,
Seattle Post-Intelligencer Mesmerizing dialogue and gritty
characters immediately startle you. ...The book may consist of
letters typed upon a page, but those words transcend mere
storytelling by nearly leaping forth and materializing into a
stunning theatrical presentation. This writing as performance
art... Our beloved Spanbauer has retaken center stage. He has
surpassed the art of writing dangerously to create the theater of
writing dramatically.
-- Susan Wickstorm, Willamette Week A big ambitious stylefest of a
novel, in the mode of...Edmund White's The Farewell Symphony, Allan
Gurganus's Plays Well with Others, and Dale Peak's Now It's Time to
Say Goodbye... What distinguishes Spanbauer's novel from the rest
of the pack is his hellish, distinctive voice. Longtime fans will
recognize its unusual sentences, at once choppy and strangely
elegant, overtly informative but weirdly surreal, tender of phrase
yet cleansed of overt emotion.
-- Dennis Cooper, The Village Voice In the City of Shy Hunters is
near-epic in its emotional scope, a sprawling story that recalls at
once the freewheeling black comedy of Ken Kesey's work, the
spiritual quest at the heart of Zen and the Art of Motorcycle
Maintenance, and some of the precise diction of Gertrude Stein.
...There is such a myriad of small truths here that the cumulative
effect is overwhelming...Fascinating and compelling.
-- Ken Furtado, Lambda Book Report Now is the Hour
Publishers Weekly choice for one of the best 100 books of 2006 This
author can write. You feel pulled in immediately just by the
rhythms of his language. Then by his great humor, his vast heart.
There is no one like Tom Spanbauer writing in America. What a
terrific novel! What a huge talent --Natalie Goldberg, Author of
Writing Down the Bones In Tom Spanbauer's Now Is the Hour, white
small-town America gets its cherry busted in an orgy of cigarette
smoke and racism.
--Chuck Palahniuk, author of Fight Club
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