Table of Contents

Thematic Contents A Note on How to Use This Anthology Acknowledgments Major Chinese Dynasties List of Symbols Introduction: Major Aspects of Chinese Poetry Zong-qi Cai Part 1 Pre-Qin Times 1. Tetrasyllabic Shi Poetry: The Book of Poetry (Shijing) William H. Nienhauser 2. Sao Poetry: The Lyrics of Chu (Chuci) Fusheng Wu Part 2 The Han Dynasty 3. Fu Poetry: An Ancient-Style Rhapsody (Gufu) David R. Knechtges 4. Shi Poetry: Music Bureau Poems (Yuefu) Jui-lung Su 5. Pentasyllabic Shi Poetry: The "Nineteen Old Poems" Zong-qi Cai Part 3 The Six Dynasties 6. Pentasyllabic Shi Poetry: Landscape and Farmstead Poems Wendy Swartz 7. Pentasyllabic Shi Poetry: New Topics Xiaofei Tian Part 4 The Tang Dynasty 8. Recent-Style Shi Poetry: Pentasyllabic Regulated Verse (Wuyan Lushi) Zong-qi Cai 9. Recent-Style Shi Poetry: Heptasyllabic Regulated Verse (Qiyan Lushi) Robert Ashmore 10. Recent-Style Shi Poetry: Quatrains (Jueju) Charles Egan 11. Ancient-Style Shi Poetry: A Revival Paula Varsano Part 5 The Five Dynasties and the Song Dynasty 12. Ci Poetry: Short Song Lyrics (Xiaoling) Maija Bell Samei 13. Ci Poetry: Long Song Lyrics (Manci) Xinda Lian 14. Ci Poetry: Long Song Lyrics on Objects (Yongwu Ci) Shuen-fu Lin 15. Shi Poetry: Ancient and Recent Styles Ronald Egan Part 6 The Yuan, Ming, and Qing Dynasties 16. Qu Poetry: Song Poems (Sanqu) of the Yuan Dynasty Xinda Lian 17. Shi Poetry of the Ming and Qing Dynasties Grace S. Fong 18. A Synthesis: Rhythm, Syntax, and Vision of Chinese Poetry Zong-qi Cai Phonetic Transcriptions of Entering-Tone Characters Abbreviations of Primary Texts Contributors Glossary-Index

Promotional Information

This valuable guidebook offers multiple routes toward understanding the vast and varied traditions and practices of classical Chinese poetry, from its beginnings through the Qing dynasty. Close readings of individual poems-including the 'chestnuts' we all love to teach-are grounded in useful discussions of literary-historical and cultural contexts. A cross-cutting discussion of themes suggests ways in which the poems can speak to each other across boundaries of genre and dynasty. And the unusually extensive attention paid to the sound and prosody of Chinese poetry will be especially welcome to student and scholar alike. -- Pauline Yu, president of the American Council of Learned Societies

Promotional Information

This valuable guidebook offers multiple routes toward understanding the vast and varied traditions and practices of classical Chinese poetry, from its beginnings through the Qing dynasty. Close readings of individual poems-including the 'chestnuts' we all love to teach-are grounded in useful discussions of literary-historical and cultural contexts. A cross-cutting discussion of themes suggests ways in which the poems can speak to each other across boundaries of genre and dynasty. And the unusually extensive attention paid to the sound and prosody of Chinese poetry will be especially welcome to student and scholar alike. -- Pauline Yu, president of the American Council of Learned Societies

About the Author

Zong-qi Cai is professor of Chinese and comparative literature at the University of Illinois, Urbana-Champaign. He is the author of The Matrix of Lyric Transformation: Poetic Modes and Self-Presentation in Early Chinese Pentasyllabic Poetry (Michigan, 1996) and Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary Criticism (Hawai'i, 2002), and is the editor of A Chinese Literary Mind: Culture, Creativity, and Rhetoric in Wenxin dialong (Stanford, 2001) and Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties (Hawai'i, 2004).

Reviews

By presenting poems in so many different forms: Chinese characters, Romanization, English translation, audio files, stress maps, and transliteration, the book enables the reader - no matter what her background in Chinese language, to grasp much of what is going on. BLT Not Just a Sandwich