Acknowledgements Introduction 1.Formal Matters: Martin Amis, Time's Arrow 2.Documentary Fiction: D.M. Thomas, The White Hotel 3.Autobiographical Fiction: Jerzy Kosinski, The Painted Bird 4.Faction: Thomas Keneally, Schindler's List 5.Melodrama: William Styron, Sophie's Choice 6.Historical polemic: Helen Darville, The Hand that Signed the Paper Conclusion Bibliography Index
Sue Vice is Reader in English Literature at the University of Sheffield, and set up Britain's first Holocaust Studies MA. Her publications include Introducing Bakhtin (1997).
'Now we may well wish that extracts from these diaries should
appear in the National Curriculum - certainly there is nothing in
the realm of home-grown 'Holocaust fiction' that comes anywhere
near them for detailed fascination and capacity for enlightenment.'
- Piotr Kuhiwczak, The Cambridge Quarterly, Vol. 30 (2) 2001
'Now we may well wish that extracts from these diaries should
appear in the National Curriculum - certainly there is nothing in
the realm of home-grown 'Holocaust fiction' that comes anywhere
near them for detailed fascination and capacity for enlightenment.'
- Piotr Kuhiwczak, The Cambridge Quarterly
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