A gripping re-imagining of one of the most ambitious assassination attempts against the British establishment from one of the finest novelists of his generation.
Jonathan Lee's first novel, Who is Mr Satoshi?, was nominated for the Desmond Elliott Prize and shortlisted for an MJA Open Book Award in 2011. His second novel, Joy, published in 2013, was shortlisted for the Encore Award. He lives in New York.
Lee’s powerful novel is an extraordinary performance: vividly
written, painfully human and fully fleshing the inner lives of its
characters.
*Sunday Times*
High Dive did for the Brighton bombings what Garth Risk Hallberg's
overhyped City on Fire attempted to do for the New York City
blackout - it's a multivoiced epic that builds towards a stunning
finale. I loved it.
*Observer - Best Novels of 2015*
Achingly good … Satisfyingly tricky when it comes to speeding up
and slowing down, keeping readers off balance, teasing them about
when what’s already irrevocable is actually going to happen … At
his best – and he is at it often – Lee displays a nimble
metaphysical wit and a verbal ingenuity on a par with Martin Amis …
In High Dive, the ticktock means more than the boom… The novel’s
last, almost whispered word about the bombing’s carnage is left to
stand among the most devastating observations ever made about
terrorism: “Someone had considered this fair”. It is Jonathan Lee’s
great achievement to have written, on this of all subjects, one of
the gentlest novels in memory.
*The New Yorker*
Jonathan Lee [is] a wordsmith of incomparable eloquence…High Dive
is a work of serious and thoughtful integrity.
*Independent*
An ingenious and original mixture of the domestic and the
political, set in the days leading up to the Brighton bombing of
1984. At its heart is a father-and-daughter relationship that feels
uncannily real and wonderfully touching.
*Observer, Summer Reads*
Achingly good … on a par with Martin Amis … In High Dive, the
ticktock means more than the boom… The novel’s last, almost
whispered word about the bombing’s carnage is left to stand among
the most devastating observations ever made about terrorism:
“Someone had considered this fair”. It is Jonathan Lee’s great
achievement to have written, on this of all subjects, one of the
gentlest novels in memory.
*The New Yorker*
Hauntingly atmospheric ... Lee is quite brilliant at excavating the
disappointment of characters constantly chasing lost
opportunities.
*Guardian*
Devastating ... Inspired ... We make so many complex emotional
investments in the lives of Lee's characters that it takes a monk's
restraint not to flip to the very end of the book before you get
there.
*New York Times*
High Dive is a novel so smart and compassionate and beautifully
written that it asks for total immersion. A reader will hold her
breath for long, perfectly-paced stretches, and she will surface,
dizzied, at the end.
*Lauren Groff, author of Fates and Furies*
The novel is full of gentle humour: its tones are mostly warm and
compassionate…High Dive is a moving and charismatic novel…It
succeeds, through its multiple sympathies and scrupulous empathy,
on its own terms
*Financial Times*
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