A prize-winning, genre-bending collection of short stories which has already achieved cult status
Carmen Maria Machado is a fiction writer, critic, and essayist
whose work has appeared in The New Yorker, Granta, Guernica,
Electric Literature, The Paris Review, AGNI, NPR, Gulf Coast, Los
Angeles Review of Books, VICE, and elsewhere.
She holds an MFA from the Iowa Writers' Workshop and has been
awarded fellowships and residencies from the Michener-Copernicus
Foundation, the Elizabeth George Foundation, the CINTAS Foundation,
the Speculative Literature Foundation, the University of Iowa and
the Millay Colony for the Arts. She is the Artist in Residence at
the University of Pennsylvania, and lives in Philadelphia with her
partner.
Deliciously weird and dark and erotic and queer and smart and full
of desire, and profoundly original, this is about the alienation of
being a woman in a way you've never read before
*The Pool*
A writer of rare daring ... there's a ragged glory to [the
stories'] formal experimentation and erotic fearlessness, and the
gusto with which they reinvent horror, SF and fairytale tropes.
*Guardian*
Her Body and Other Parties is a love letter to an obstinate genre
that won't be gentrified. It's a wild thing, this book, covered in
sequins and scales, blazing with the influence of fabulists from
Angela Carter to Kelly Link and Helen Oyeyemi, and borrowing from
science fiction, queer theory and horror... Not since Karen
Russell's "St. Lucy's Home for Girls Raised by Wolves," in 2006,
has a debut collection of short stories from a relatively unknown
author garnered such attention, or deserved it more.
*New York Times*
Brilliant and unsettling ... Machado ranks alongside Shirley
Jackson and Margaret Atwood, and she brings all her (there should
be a woman's word to replace "mastery") formidable skills to bear
in this tale of the rent fabric of women's lives ... Machado's
narrators are articulate and thoughtful, with vivid internal lives.
But she's sharp enough at capturing the messiness of ordinary human
behaviour to distinguish one character from the next, keeping the
stories distinct and marking each with flares of stark beauty.
Machado has rare gifts, disciplined by years of writing short
stories for magazines, and her literary fearlessness has already
been recognised in the US, where this collection was a finalist for
the 2017 National Book Awards. The stories in Her Body and Other
Parties, on the vulnerability and the appetites of women, their
transgressions and their disappearances, have the depth of fairy
tales and the grim acid rasp of the best horror fiction. You cannot
wait for her to tell more of them.
*Financial Times*
Those of us who knew have been waiting for a Carmen Maria Machado
collection for years. Her stories show us what we really love and
fear.
*Alexander Chee*
Machado's verve shines through: macabre, erotic, and never quite
what they initially seem, these aren't stories that are easily
dismissed.
*Lucy Scholes*
Daring ... Machado has created a provocative blend of fabulism,
feminism, magic realism and lashings of sex.
*Tatler*
Striking ... spellbinding ... even the most banal settings become
unnerving in Machado's pen, and her images linger with the reader
long after the last page has been turned. Although her voice is
invigoratingly fresh, Her Body and Other Parties never reads like a
debut collection. Rather, it reads like a writer at the height of
her powers - confident and assured, fearless and experimental ...
it feels like discovering a well-kept secret you immediately want
to share with everyone you know.
*Diva*
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