CoverTitleCopyrightContentsForeword by Guthrie P. Ramsey Jr.AcknowledgmentsSourcesIntroductionPart I: Southern Roots1. Family Ties2. Little Rock: "The Negro Paradise"3. The Pursuit of Education: Elementary and High School4. The New England Conservatory of Music5. Return to Little Rock6. Clark University and MarriagePart II: The "Dean" of Negro Composers of the Midwest7. VeeJay and the Black Metropolis8. "My Soul's Been Anchored in de Lord"9. Black Satin Clothes at the Fair10. Spirituals to Symphonies: A Century of Progress11. The Symphony in E Minor12. O Sing a New Song13. The Piano Concerto in One Movement14. Performing Again15. Professional Recognition: Reconciling Gender, Class, and Race16. The WPA Years17. The Chicago Renaissance18. The Symphony No. 319. Final Years: The Heart of a WomanPostscriptAfterword by Carlene J. BrownNotesSelected BibliographyDiscographyFor Further ReadingIndexBack Cover
Rae Linda Brown was a professor at the University of Michigan and a professor and Robert and Marjorie Rawlins Chair of the Department of Music at the University of California, Irvine. She was the author of Music, Printed and Manuscript, in the James Weldon Johnson Memorial Collection of Negro Arts and Letters: An Annotated Catalog. She died in 2017. Guthrie P. Ramsey Jr. is the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania. He is the author of Race Music: Black Cultures from Bebop to Hip-Hop and The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop.
"A rich contribution to Arkansas cultural history." --Arkansas
Historical Quarterly
"The Heart of a Woman thus conveys the tenacity and resilience of
two groundbreaking practitioners: it is the culmination of a
lifetime's scholarship and the first monograph to tell Price's
story in such depth and breadth. . . . A call to take Brown's work
forward, to make audible the fullness of Price's compositional
voice, and to render this resurgence into permanent visibility."
--Journal of American Musicological Society
"The Heart of a Woman is more than a biography. It is an
interdisciplinary work whose analytical explorations of race,
gender, and class in American classical music is anchored by
extensive musicological, archival, and oral history research on one
of America's most prolific twentieth-century composers." --Journal
of African American History
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