Table of Contents

1. Introduction: Global Reanimations of Frankenstein.- Part I Frankenstein: Science, Technology, and the Nature of Life.- 2. The Gothic Image and the Quandaries of Science in Mary Shelley’s Frankenstein.- 3. Paracelsus and the ‘P[r]etty Experimentalism’: The Glass Prison of Science and Secrecy in Frankenstein.- 4. Monstrous Dissections and Surgery as Performance: Gender, Race and the Bride of Frankenstein.- Part II Frankenstein and Disabled, Indecorous, Mortal Bodies.- 5. ‘The Human Senses Are Insurmountable Barriers’: Deformity, Sympathy, and Monster Love in Three Variations on Frankenstein.- 6. ‘We Sometimes Paused to Laugh Outright’: Frankenstein and the Struggle for Decorum.- 7. Monstrous, Mortal Embodiment and Last Dances: Frankenstein and the Ballet.- Part III Spectacular Frankensteins on Screen and Stage.- 8. 'Now I am a Man!’: Performing Sexual Violence in the National TheatreProduction of Frankenstein.- 9. The Cadaver’s Pulse: Cinema and the Modern Prometheus.- 10. Promethean Myths of the Twenty-First Century: Contemporary Frankenstein Film Adaptations and the Rise of the Viral Zombie.- Part IV Frankensteinian Illustrations and Literary Adaptations.- 11. Frankenstein and the Peculiar Power of the Comics.- 12. Our Progeny’s Monsters: Frankenstein Retold for Children in Picturebooks and Graphic Novels.- 13. Beyond the Filthy Form: Illustrating Mary Shelley’s Frankenstein.- Part V Futuristic Frankensteins/Frankensteinian Futures.- 14. The Frankenstein Meme: The Memetic Prominence of Mary Shelley’s Creature in Anglo-American Visual and Material Cultures.- 15. Frankenstein in Hyperspace: The Gothic Return of Digital Technologies to the Origins of Virtual Space in Mary Shelley’s Frankenstein.- 16. Playing the Intercorporeal: Frankenstein’s Legacy for Games.- 17. What Was Man…? Reimagining Monstrosity from Humanism to Trashumanism.

About the Author

Carol Margaret Davison is Professor of English Literature at the University of Windsor, Canada and the author of History of the Gothic: Gothic Literature, 1764-1824 (2009) and Anti-Semitism and British Gothic Literature (Palgrave Macmillan, 2004). She recently edited The Gothic and Death (2017) and The Edinburgh Companion to the Scottish Gothic (2017) with Monica Germanà. 

Marie Mulvey-Roberts is Professor of English Literature at the University of the West of England, Bristol, UK and author of Dangerous Bodies: Historicising the Gothic Corporeal (2016), winner of the Alan Lloyd Smith Memorial Prize.  She has authored, edited, and co-edited over 30 books. Recently she made a film on Frankenstein for a MOOC (Massive Open Online Course) on the literary South West.

Reviews

“I must declare that the essays in this collection comprise a thorough, thought-provoking, and occasionally brilliant body of scholarship. … Global Frankenstein provides a varied and fascinating array of critical approaches toFrankenstein itself as well as a truly remarkable range of related works. … I recommend following Davison and Mulvey-Roberts’ excellent collection with further scholarship on the international reach of Shelley’s hideous progeny.” (Sarah Canfield, SFRA Review, Vol. 51 (1), 2021)