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Girl, Interrupted
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In 1967, after a session with a psychiatrist she'd never seen before, 18-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital to be treated for depression. She spent most of the next two years on the ward for teenage girls in a psychiatric hospital renowned for its famous clientele - Sylvia Plath, Robert Lowell, James Taylor and Ray Charles. An unflinching work that asks questions about our definitions of sane and insane, Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers.
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Promotional Information

* Published with film tie-in cover to coincide with film's release * Joint promotion with UK film distributor to include competitions through the national press and women's magazines * Limited film posters available for window displays * Reviews and feature coverage in national newspapers, magazines and film press

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About the Author

Susanna Kaysen was born in 1948 and brought up in Cambridge, Massachusetts where she lives still. She has written two novels, Asa, As I Knew Him and Far Afield. While working on the latter, memories of her two year stay at McLean's psychiatric hospital began to emerge. With the help of a lawyer she obtained her 350 page file from the hospital. Girl Interrupted followed.

Reviews

'Not since Sylvia Plath's The Bell Jar has a personal account of life in a mental hospital achieved as much popularity and acclaim' TIME MAGAZINE 'Intelligent and painful' GUARDIAN 'Girl, Interrupted is superb, poignant and more powerful for its lack of romantic inflation, whining, or self-congratulation' SCOTLAND ON SUNDAY 'Susanna Kaysen's Girl, Interrupted is the autobiographical story of the author's time in a psychiatric award in 1967. Sylvia Plath was a patient at the same hospital in the early 1950s so inevitably comparisons have been made between Plath's The Bell Jar and Kaysen's novel--both recounting a young woman's descent into insanity. This, however, is where the similarities end--The Bell Jar is a haunting and lyrical book; Girl, Interrupted is a more hard-edged, documentary-style narrative. It has none of the beauty and poetry of Plath's prose and is more akin to Elizabeth Wurtzel's Prozac Nation , an up-to-date memoir of a young girl's struggle with depression and drugs. Both these books offer a brutal and stark image of a life of mental illness. Kaysen's account goes further and questions the standard notions of sanity and insanity. Her plausible voice allows the reader to accept a world where time is distorted, chaos reigns and questions are left unanswered, capturing perfectly the sense of helplessness and frustration felt by these women. The book's gritty realism is also heightened by copies of the author's original medical reports lodged between the chapters. However, it is her penetrating insights into those around her, from those cared for to the caretakers, that make "Girl, Interrupted" so potent. Lacing her narrative with a hard-edged, sardonic sting, she introduces us to a cast of characters from the outrageous Lisa to the chicken-hoarding Daisy to the Martian's girlfriend: Daisy was a seasonal event. She came before Thanksgiving and stayed through Christmas every year ... "Would anyone like to share?" the head nurse asked ... "Me! Me! Somebody who was a Martian's girlfriend and also had a little penis of her own, which she was eager to show off, raised a hand; nobody wanted to share with her. "Girl, Interrupted" is a credible and creditable chronicle of the lives of women in the 1960s who, through the ignorance and narrow-mindedness of society, were contained and monitored for not fitting into the "norm", the mainstream.' Nicola Perry, AMAZON.CO.UK REVIEW

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