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From The Wreck
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About the Author

Jane Rawson is the author of A Wrong Turn at the Office of Unmade Lists; a novella, Formaldehyde; and a non-fiction book,The Handbook: Surviving and Living with Climate Change. From the Wreck was the first novel to be nominated for both Australia's Miles Franklin Literary Award and the Aurealis Award for Best Science Fiction Novel, which it won.Jane lives in Tasmania and works as a bureaucrat.

Reviews

The power of this singular novel lies in Rawson's ability to meld seemingly disparate narrative elements into a convincing whole that movingly explores themes of loss, loneliness and guilt. * Guardian *
It's hard to find the right words to praise this novel. I think we need a whole new critical vocabulary to be invented. Rawson recreates a vanished historical world with utterly convincing characters as well as inhabits the mind of a cephalopod alien and make us feel, in both cases, yes, that's exactly how it is. Jane Rawson's writing is mysterious, chilling and tender. The book is a sort of miracle. -- Lian Hearn
Something approaching an old-fashioned historical yarn spliced with Cronenbergian body horror . . . The commonplace rubbing shoulders with the supernatural adds to the book's considerations of mourning and absence a vivid hue . . . a genuine tension and sense of dread. * Sydney Morning Herald *
Rawson . . . has the rare talent of stretching our capacity to believe, while at the same time making us feel genuinely for the characters. There's a beautiful quality of empathy here, light and aching . . . I was reminded of the gentle quality of Steven Spielberg's ET . . . An intriguing tale whose humanity lingers warm long after the reading. * The Australian *
Intensely researched historical fiction . . . [From the Wreck] also has a cephalopod shapeshifting alien, so. SO, it's remarkable . . . It's dark and beautiful, and puzzling. -- Maria Dahvana Headley, author of The Mere Wife
Haunting and marvellous . . . From the Wreck takes real historical events and bends them to its own ends in a manner I've not seen before, an imaginative leap that truly exemplifies the nature of radical speculation. -- Nina Allan, author of The Rift

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